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Disney Character Designer Answers Your Questions About Concept Art Illustration.
Most digital painting tutorialsare by pointing out digital but not at by pointing out painting.
Concept artists and illustrators want to generate worlds and characters, tell stories with pictures, find meaning in ideas, to make emotional connections through an audience.
To be fair, these pages could really gain from a little more step-by-step.
But in the meantime, when you re seeking something deeper, more personal and challenging, then you definately ve arrive at the right place.
This is considered the most unique along with the most epic tutorial I ve ever recorded.
With an in-depth consider the work of The Hudson River Painters, look for some ancient techniques that may really boost the emotional impact when placed on our digital paintings.
It could be the closest thing in an advanced painting course thatI offer on this website.
Topics covered from the article, video and accompanying PDF guide:
Three, ancient procedures for achieving an advanced of finish rendering inside your paintings.
How to regulate texture and get away from one of essentially the most common digital painting pitfalls.
Art History lesson that can inspire you to definitely get all epic with the paintings.
FREE Downloadable PDF Guide to share with you, print, load to your mobile device, etc
In it, I demonstrate a few of the techniques and thought processes I use to manage color around my digital paintings.
This lesson is exclusive in that it targets WHY I verified creative decisions as an alternative to HOW I attain the various painting effects.
Interpretive edges are just about the most appealing and exquisite aspects of oil painting and watercolor techniques.
In this two-part series, I ll demonstrate how to setup a custom rotation control for ones Photoshop Brushes so that you can quickly and smoothlychange the brush angle as youre painting.
Building up painterly, textured surfaces in a very digital painting.
Merging two different illustration styles into one, new style.
Planning each brush stroke painting with focus.
Welcome accidents and spontaneity inside your paintings.
Over modern times my wife Angie and I happen to be creating my library of high definition textures for Digital Painting.
and now Im causing them to available, as being a free download, to suit your needs, one set at any given time.
Each number of huge, free textures has a accompanying post where I share techniques for gathering and controlling textures within your digital painting process.
Texture can infuse your art using a sense of humanity and boost the connection between your illustrated, visual stories and also your audience.
Use real paint to create digital brushes I know. Crazy, right?
Start your painting using a textured canvas effect.
Give your digital brush a mind from it s own therefore it can give you new inspiration, ideas and approaches.
I also needs to mention the Scatter Brush Tutorial demonstrates how I use Photoshop to build the stylized, texture brushes that you can get as part of my FREE Digital Painting Kit!
Like these Digital Painting Tutorials? Please share them on Twitter on this link.
The next three tutorials are pretty much about character design, nevertheless they do cover a few of my favorite facets of digital painting.
The beginning of my character design process ofttimes involves loose, sketchy paintings. In learning how other artists inside the animation industry often work, I ve gathered that I m unique in this way.
While the first of my Alien Janitor series isn t an amazing tutorial, it lets you do provide some necessary and amusing, if I do say so myself background information in regards to the painting. And it will challenge one to surprise your audience whenever you build a new concept art painting or illustration.
Plus, it s an exceptional opportunity to look at me draw! I usually figure out my drawings the previous fashioned way and, thus, there may be usually no screen recording to discuss.
The second part enters into greater depth with the explanation of my digital painting techniques and private opinions concerning the medium. I close by incorporating practical advice about Photoshop Brushes.
After sharing your own story regarding how much I love The Wizard Of Oz and The Cowardly Lion for example, I discuss my method of character design, how I m always attempting to build something new and surprising regardless of the impossibility of achieving that anytime.
I share the struggle of having my drawing and painting to synthesize and I demonstrate a method for painting fur and hair that won t drive you crazy.
Please connect to and share this web site with anyone whom it may help or encourage.
all content articles are Copyright 2008 2015 Visual Voice, LLC unless otherwise indicated
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Learn to believe like a painter since you transform photographs into paintings while using latest digital artist s tools.
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Learn to trust like a painter and render images that seem to be like we were holding created with oils or acrylics, utilizing the latest digital artists tools. Author and artist John Derry introduces the operation of interpreting an image into a painted thing of beauty. He begins by explaining his system of visual vocabularies, which describe the way to replace the visual characteristics of a picture with that of expressive painting, plus shares the custom brush sets and actions he uses to realize these ends in Adobe Photoshop. The course also covers dealing with filters, layers, effects, plus much more to add further detail and texture.
music playing. Hi, Im John Derry. Welcome to Digital Painting: Architecture. In this title, Ill explain to you how it is possible to utilize Photoshop to remodel your photos into expressive hand-painted artwork. Well examine the vocabularies of photography and painting, and learn the way to expressively interpret one in the other. Well take an in-depth take a look at my brushes and techniques now integrated into CS6, and teach you the way to apply these to execute your unique artistic vision.
In the initial half with this title, we shall go through the entire process of preparing the photo for interpretation. Then, inside second half, we are going to utilize my tool preset brushes and expressively interpret our prepared photo right into a painted result. If youve got searching for camera, from the phone camera to some DSLR, you'll be able to take your picture from digital image to digital masterpiece. Now, lets begin with Transforming a Photograph in to a Painting with Photoshop CS6.
Find solutions to the most faq's about Digital Painting: Architecture.
Q: Im struggle to install the custom Wacom settings included while using exercise files. Any advice on the way to load them?
A: After the course was recorded, we found the Wacom preference files are certainly not cross-platform and they are specific for the machine that created them, which limits their use. However, inside the exercise files youll get a PDF labeled Intuos4 ; by using this document, you'll be able to manually type in the settings inside Wacom cpanel. Also, please be aware that the settings will not be necessary to complete the course.
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In this Photoshop tutorial I will show how I used Photoshop along with a Wacom Tablet to generate a digital illustration of any voluptuous Wonder Woman pin up. The tutorial reveals certainly one of my digital painting techniques using a step by step walk through including images for every single stage and layer settings. Enjoy!
Wonder Woman is definitely an iconic figure inside comic book world. She is undoubtedly an amazon princess called Diana after the Greek goddess Artemis. One of essentially the most recognized characters within the pantheon pardon the pun from the DC Comics universe. Wonder Woman first appeared inside early 1940s and also since then is really a favorite of countless fans on comics, tv series Linda Carter anyone? and cartoons. I created this pieces for an homage towards the character. I chose to create her inside a pin-up pose because I am fashionable big fan from the pin up genre and I loved the opportunity to portray Wonder Woman within a way which is seldom done.
This is how your knowledge of anatomy plus the human form come up. The female person is especially tough to draw realistically, so because of this sketch I shot some reference photos of any model. There is no shame in employing reference, especially inside illustration field where it may be the norm. With the photos aside, I proceeded to attract the pose yourself, watching proportions, anatomy you may see an indication of bone structure and muscles around my sketch. A good method to get proficient at drawing the female person's body is to draw from life and from photos as often because you can. Learn how each part correlates on the rest and exactly what the proportions come in relation to arms, body, head, legs, etc. With practice you'll be able to become very proficient.
Photoshop Technique: I designed a new image. I left the setting layer white. Added a whole new empty layer at the top and renamed it sketch. I sketched here is your chance on the sketch layer using a small brush with low opacity. To paint this sketch, I used Photoshop 7 along with a Wacom Intuos tablet. My favorite tablet would be the Wacom Intuos 3 6 8. See my tutorial on selecting the best graphic tablet.
Tip: While sketching, flip your drawing horizontally once inside a while. It will help you get problem areas. Flipping your drawing may help you see where proportions are incorrect. Use Edit Transform Flip Horizontal.
The goal with this step is always to obtain a great line art drawing. You can t move towards the next stage unless the road art is conducted properly. It will save you a serious amounts of headaches later. I referenced Wonder Woman s costume from the 3 major images I found for the web, but kinda changed it a bit for making it fit my vision for doing this. In other words, I made certain that our heroine would seem sexier and ehmm. well stacked regarding say
Photoshop Technique: I added a whole new empty layer on top of the sketch layer and named it line art. I set the opacity from the sketch layer to 15% to produce it barely visible. I then drew the finalized line art within the line art layer having a small brush. Once the fishing line art drawing was finished I switched off the sketch layer.
Tip: At this stage can be quite useful to zoom in closer, at the least 200%.
Flatting is a strategy borrowed from the comic strip industry. Each area is filled using the base color skin, clothes, hair, etc. to serve being a basis for that following coloring steps. Flats are necessary when coloring comics especially and I want to use the same technique to create digital illustrations. You will see later how having flats provides great treatments for each part in the painting. Flats allow that you apply adjustments selectively to every one part without touching others.
Photoshop Technique: I added a fresh layer under the road art layer and named it skin. I developed a selection that covered the figure completely and filled it which has a base epidermis. Above this layer, I created another empty layer and referred to it as metal. I proceeded to outline an array of all the metal accessories for the body of Wonder Woman and filled it using a yellowish gold color. This will allow me to create inside the metal parts only. I stacked this layer across the skin layer retain the ALT key and then click on the fishing line between layers to make this happen. I did the same principle for the clothes layer. See the layer screen capture to determine the layers now.
Tip: Instead of utilizing the selection tool to define the flats area it is possible to use the pen tool press P for the keyboard. Lately, I are already using this method more plus much more often. It s a little slower however, you end up with perfect shapes that very precisely follow the queue art outlines.
This is the place where the fun beings along with the true power on this techniques shines! Photoshop 7 or 6? introduced adjustment layers and fill layers. To paint the shadows in, I use another trick borrowed from my comic coloring arsenal. Instead of actually painting directly about the flats, I paint from the mask of your fill layer set on multiply. This is multipurpose because you may add, modify, smooth and paint as much since you want within this layer. Areas where the layer opacity sometimes appears darkens whatever is for the layers below in such a case: skin, clothes and metal elements. It is much easier to understand this technique in case you refer to your layer setup screen shot. It is at this point that my Wonder Woman s voluptuous female body become more tri-dimensional.
Photoshop Technique: I designed a new Fill layer called dark higher than the flats layers, but below the fishing line art layer. I also stacked this layer inside the camp flats layer skin making sure that this layer content s would show only within the area with the flat layer below. I set the dark layer mode to Multiply. Using a medium opacity smooth brush I painted within the shadows. I switched between brush tool as well as the smudge tool continuously until I got the results I was seeking.
Tip: While you paint in the fill layer or perhaps an adjustment layer you might be only actually working about the layer mask. Using white and black you define the layer opacity. White pixels are visible, black pixels are transparent. While you paint for this layer while using the brush tool, you are able to use the X key shortcut within the keyboard to exchange between black and white so you're able to add or remove opacity as required. Also make use of the smudge tool often R key shortcut to blend within your brush strokes. This is a way borrowed from my traditional oil painting background.
At here it s information on volume and shapes. My sexy Wonder Woman s body needed darker areas to increase refine her shapely curves Some areas needed highlights also.
Photoshop Technique: I created another Fill layer called darker across the original dark layer. I also stacked this layer inside the camp skin flats layer. Again, the darker blending mode is scheduled to Multiply. Here I painted additional shadows where needed. Using another layer for darker shadows gives me extra control. At this stage I also added 2 adjustment layers to help the figure s contrast and saturation. First, I made a new Curves adjustment layer higher than the shadows layers and changed the bend profile so to include more red tones towards the highlights plus much more blue inside the darker areas. This simple step usually helps have a natural flesh tone look. I also added a Color Balance adjustment layer and did some additional tweaking. Finally, I added some incidental light highlights within the left side in the figure. To do that I added a brand new empty layer below the road art layer and painted the light source blue halo near to the edge utilizing a smooth brush.
Tip: Adding incidental light usually helps increase the tri-dimensionality of an figure considerably.
The final step is how the details and final adjustments are designed. This is the place I finalized her face, the metal elements plus the whip.
Photoshop Technique: First, I linked the many layers from your skin layer for the line art layer and merged them together right into a single layer. I duplicated this layer after which zoomed in to color details having a medium opacity pressure sensitive brush with smooth edges. While painting, yet again, I switched for the smudge tool to combine in brush strokes. To improve the highlights I used the Dodge tool in small places where a bright spot was needed. Use the dodge tool sparingly though.
Tip: It is sometimes helpful to keep copies of earlier stages of an layer you're painting on, in the event you feel like the painting took an improper turn and you wish to go back to your previous stage.
Check out of the final version in this image within my gallery where it is possible to see her having a background.
Thanks for stopping by and leaving a comment. I checked your internet site and it looks good. A definite bookmark on my small list.
gooooooooooooooooooood!
Wow thanks for your tutorial Roberto!
No problem, I added your site towards the newest post on my own site, email me when you want to link exchange too.
wow! appreciate your sharing! this can really help me improve my works some usually are not posted inside my DA account.
hope u can share thanks!!
Great tutorial, but exactly how did you carry out the highlights? You explained about using black and white on the layer mask though the lights it is possible to get it may be the base skin colour underneath
eman: That s why I wrote it inside the first place. So glad it helped.
Laggy: The highlights are locations where I did not apply any shadows. Also, I set the curves adjustment layer to bring your highlights.
eli: Thanks a whole lot for adding me in your list of Photoshop resources! I ll hyperlink to your site within an upcoming post about cool Photoshop tutorial sites.
Love the comprehensive tutorial, but I love the artwork much more. The shading is very awesome and detailed!
ps: May I know what brush settings would you use?
Wonderful and quite precise tutorial. I ve read many of these and they usually come off as too vague. You pointing your layer hierarchy is the thing that I ve been wanting to find out all along. Your work is stunning. Glad to have found your blog site. I ll be watching it.
Kane: I utilized to tell myself the same principle some time ago Thanks for stopping by.
Stoic: Thanks! For most in the painting process within this piece, I used an easy round brush with 50% opacity. The brush opacity linked using the pen pressure. I varied the brush size when needed while using the and shortcuts for the keyboard.
dopepope: Thanks to the kind words in this little tutorial. I ll be sure for making more for nice visitors like you
ihatedesign: Yes! She s a hottie
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This version has another interesting tool called Puppet wrap. This tool works well for tilting or bending a physical object while retraining the natural look.
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