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Duke Nukem: Manhattan Project DEMO v1.01
Duke incorporates a new nemesis, and this also time it isn't scumbag aliens! Battle Mech Morphix and his awesome GLOPP created abominations inside the city of New York. Mech Morphix has perfected GLOPP Gluon Liquid Omega Phased Plasma, a slimy, radioactive substance that mutates living things on impact. After using his very own henchman guinea pigs, turning them into grotesque beasts, he unleashed the ozze on the capital of scotland - New York. With an elaborate pipeline to fabricate and ship the powerful plasma to your secret labl, Morphix intentions to use it to consider over the world obviously.
Morphix thinks GLOPP will assist him rule the entire world, but Dukes GLOPP powered weapons might just turn the tables on Morphixs plan!
Dynamic, zoomable camera gets you towards the action and shows Duke battling it out from a number of angles
8 huge, immersive NY-themed missions: Rooftop Rebellion, Chinatown Chiller, Metro Madness, Unholy Underworld, Fearsome Factory, Tanker Trouble, Deviant Drilling and also the final out-of-this-world episode
9 powerful weapons: Golden Eagle Pistol, Shotgun, Assault Rifle, Pipe Bomb, GLOPP Ray, Pulse Cannon, Pneumatic Rocket-Propelled Grenade Launcher plus the Mighty Boot kick. Plus, some weapons get powerful upgrades by collecting all Nuke symbols within the various skill-sets, before the incredible X-3000!
More than 25 enemies including the Gator-Oids, mutated Uzi-wielding alligators, to Fem-Mechs, female robot mutants with deadly whips. Classic Duke enemies such as the PigCops may also be among the dead cumulated at your feet
True Duke Nukem action and attitude, great weapon effects and sarcastic one-liners
64 MB RAM, DirectX 8.1 compatible 8 MB 2xAGP enabled video accelerator or faster recommended 32MB video accelerator
DirectX compatible sound card, DirectX 8.1 included
300 MB disk drive space, supports joysticks and game controllers and force feedback
Turn Dead Island to a true zombie apocalypse and prepare to deal with over 100x more zombies, including enough ammo you must fight them off.
These beautiful wallpapers tend to be more than scenic shots of Minecraft, but actual in-game creations by reviewing the fan-base.
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From 3D Realms: The third chapter within the Duke Nukem series, along with the first which has a 3D perspective, Duke Nukem 3D is placed sometime inside early modern, inside a ravaged which was overtaken by aliens because you, as Duke, were being abducted during Duke Nukem II. Duke, upon okay Earth, finds himself with another mess to scrub up and another alien race to exterminate. Duke is often a can-do hero who realizes that sometimes innocent folk have to die within the quest to save Earth, so gunfire accuracy isn't a real concern to him. This game has a long report on cool features that havent been attempted in 3D action games before, including a mine that sends out a laser trip beam which enables it to be placed on any wall-perfect for multiplayer games. Theres another shrinker ray that reduces an adversary to the size a Joe, at which they become foot fodder. You can swim underwater and shoot players that are outside the water or the opposite way round.
Cant even can get on but sure it had been great.
I cant access the action do to faulty downloading off your site.
Clever, but pushed the boundaries.
Duke 3D was the widely used FPS between Dooms hayday and Quakes revolution. With odd quips and strong attitude, the of Duke comes alive on the user. Its easy to acquire sucked into the experience and feel as if you are really there. The graphics were an excellent option for the day, but be warned, and browse the
objects are 2d, so it will be very antiquated. There really isnt lots of variety within the enemies, although the surroundings and levels are fantastic.
The BIG con for me personally, though, are these claims one pushed the boundaries much. There is near-frontal nudity, a great deal of beer, and overly violent atmospheres and deaths. After a few minutes of play, this blog goes too far personally.
There are far too many in the same opponents, not plenty of different ones.
The graphics might be better.
Dis game is wicked i recommed it to your who is into action games. Its just wkd!!
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Add new cars and new scenery to Vice City.
Give Tommy Vercetti a different wardrobe.
Get driving and own the streets from dusk til dawn.
Build anything you may imagine with blocks.
Update The Sims 3 to v1.6.6.002002.
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Play 500 solitaire versions, from classics like Klondike
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Showcase various prizes about the screen.
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This is unsupported barebones tutorial on Prism3D level editor usage. Use at the own risk. Its compiled between many pieces of old documentation which is far from complete, there might be gaping holes inside or incosistencies since the material was brought out of the original context, nonetheless its still safer to have something in the first place than to have absolutely nothing at all.
IMPORTANT: Make sure you browse the first FAQ question at the end of this web site before you continue!
Install the overall game from the CD remember, no spaces within the path if you would like use the dev tools
Download the editor patch which will replace the executable to become compatible with version 1.0.1, again from
Copy this file named into your folder where DNMP was installed you're not with all the default C:/Program Files/Duke Nukem - Manhattan Project right? Those darn spaces and unzip the contents into this folder
To verify this, launch the file within your DNMP folder, this can be the editor executable.
Select File-Open, and locate the folder duke/mapsrc inside your DNMP directory.
Choose a guide, shall we say, and open it.
wireframe view with the map will appear inside 4 view panes, and also list of brushes and entities the map is constructed of inside group manager bar around the right.
Select the File-Build Map or press the earth button within the toolbar.
Leave the default settings intact, and press the Build Run within the middle on the herd of buttons at the bottom in the dialog.
the map needs to be quickly converted compiled to the binary form how the engine understands, and immediately after which the engine will probably be started plus the map will probably be launched.
quit the engine, you will likely be sent back to your editor.
This document attempts to explain some rudimentary concepts behind level creation in Prism3D and what you should keep under consideration while this. The intended audience is primarily level designers, community . may contain useful pieces of info that both programmers and texture artists can find useful.
PrismEd may be the level design editor component on the Prism3D engine suite. Other components include in addition the the engine itself several additional tools - model tweak tools PSM Lab and PMD Lab for utilizing models exported from 3DSMAX, Shader Lab for using the services of and previewing shaders, UI Builder for designing game interfaces, plus the level compilation tool - Builder. Prism3D engine uses proprietary binary format to keep the maps that represent game levels. The level designer works together PrismEd, and to own the map he created, first it should be compiled in the binary format utilizing the builder. This is done by with all the File - Build map command, or by pressing the F9 hotkey, or by clicking about the Build Map icon.
But before we as far as compiling and running the level inside engine, first we should instead construct a level inside the editor, which can be covered with this document.
When you launch the editor, you are going to be confronted with several interface elements that you have to get happy with. The largest area is occupied with the top, front, side and 3D view panes. Around the view panes, there are many button toolbars and thus called manager bar.
Note that toolbars could be undocked and docked to places you favor or hidden if you want to help menu commands all buttons are simply shortcuts which can be accessible with the menus too. The Entity toolbar look is merely an example look, its likely to reconfigure what entities are displayed there utilizing the Options - Entity toolbar command. You may find this quite handy later in level design once you add plenty of entities on the same type.
top part in the Manager Bar with Groupman tab active about the left, top a part of Selection Properties Box around the right
In the top of half from the Manger Bar, there are lots of tabs that provide you usage of tree-view in the map hierarchy this tab, the groupman tab, is active inside picture above, and also the other useful tabs which can be worth mentioning now are tabs allowing someone to browse through shaders. In the lower half on the Manager bar, you can find a few tabs listing properties of currently selected items. Note how the selected items isare highlighted in groupman through the green color stripe.
Modes toolbar about the left, 3D look toolbar for the right
camera mode - will demonstrate the 3D views camera position and orientation within the other 2D views, you are able to drag it elsewhere; usefull for changing the 3D view camera position by vast distances
Universal selection mode - you'll spend plenty of time on this mode, basically doing tasks like moving things around or resizing them etc.
Face mode - allows that you select individual faces of brushes and triangle patches for setting their properties like shader, scale, rotation, collision properties etc. etc.
fly mode - when activated, the controls from the 3D view need to be active will switch the signal from smooth fly operation, however many editor shortcuts keys wont work!
Select-by-center mode - decides whether elements like brushes could be selected by clicking in their area, or only by clicking their center point
textured view, might take a while to update in the event you change any on the geometry
textured and lit preview without shadows, might take a longer while to update during changes. You need lights inside scene to find out anything!
textured and lit preview including shadows, will take even longer to update. You need lights within the scene to discover anything!
Prism3D engine as well as the associated editing tools offer similar features and functionality along with other competing 3D engine suites available. Prism3D engine can handle both in-door and outdoor type scenes, and also combine both types together. When creating both types of levels, two rather different approaches are normally used. The traditional contruction tool from the recent mostly indoor games like Quake1/2/3 and Unreal/Unreal Tournament could be the brush - a 3D shape, for instance a square box. In case of PrismEd, brushes are being used in combination with CSG to develop the levels with as few brushes as it can be. For outdoor scenes around the other hand, the standard construction element is usually a triangle patch. In fact, a totally fine outdoor level will work without a single brush, even though you will see that they may be handy for adding many detail such things as buildings or bridges etc.
Note that after you add any resource shader, texture, new folder, whatever, even though the editor is running, it wont notice this. You will have to either restart it, or preferably just makes use of the Refresh VFS command for that editor to note. Several dialogs where resources are browsed, like shader manager, furthermore have a Refresh VFS button included in order that if you might have for instance PhotoShop open together with the editor, and save an image with it, you'll be able to make the editor refresh the panel and show the resource to your account immediately.
File - Check map for errors command and the F12 key will be the friends. this will spot issues which the engine would either complain about or either crash or you cannot display something properly
There can be a brand new feature inside the editor - note to programmers: inside the projects edit folder, you need to create a file named. In this plain text file, you are able to list class names of entities which can be supposed to become a a part of your typical game level. The editor will warn the particular level designers if this cannot find a minimum of one instance of such entities of their levels. For instance every HU level required an environment entity inside and some starting positions note that you happen to be free to build your own version of your entity that will spawn the gamers into the globe instead with the default one etc. Just make sure which the VFS mounting priority of your respective game edit folder in is more than that on the global prism3d edit folder.
if your map is absolutely huge, you may need to increase the distance on the far clipping plane from the 3D view camera properties. Switch for the camera tab inside the manager bar, double go through the 3D view camera, and enhance the Distance from the z-clip group.
The default value works for indoor games stuffed with corridors, but connected with an outdoor level, a boost to thousands of units is just not an unreasonable value. Though naturally it might cost some performance within the editor, so not push too difficult.
1. As the the first thing after you start the editor choose the topmost node inside the group manager representing the main level and it is properties, and find the void space option. 2. We will build a very primitive map composed of just one brush, a slab that Duke could walk a short distance all over the place. This will be the button to press to begin with creating box brush.
3. After you press your box brush button, click with left mouse button anywhere in the 2D wireframe views either on the Front, Side or Top windows, and drag the mouse cursor before releasing the left mouse button. You should see an outline with the new brush being constructed. Its not placed into the entire world yet, it is still simply a blueprint you'll be able to manipulate with. As we want to make a platform that Duke would walk on, click for the corner handles of the bluebrint from the views, and drag them around produce a shape depicted from the picture below. Note that by clicking and dragging using the right mouse button you'll be able to manipulate the camera from the views.
4. Press the Create button inside brush properties box, and also your blueprint will turn in a real brush placed into the earth.
5. Now well convey a starting position - a location where Duke will be after the extent is started. Press the button giving the impression of a simplified semaphore down left.
6. Click from the 2D views to set the cross hair over the platform we've created before. Its still only a blueprint, a ghost of items to come at this time, before you press the Create button again.
7. After you've got pressed Create, the beginning position entity will go into the planet, causing all of its properties will end up accessible. So at this stage you will even see the expected bounding box that Dukes character would occupy, and is going to be able to tell whether you've got placed his feet below the bottom, or whether you left him hanging within the air. You can fix that by either dragging the entity around inside the 2D views with mouse, or by causing sure its selected, and ultizing arrow recommendations for move it around. You should end up with all the bottom from the bounding box neatly aligned with all the floor.
8. However, Duke is looking the incorrect direction, a minimum of when compared for the platform we've got prepared for him. Click the end from the arrow representing Dukes orientation inside the Top View, and rotate it around until he or she is facing the best direction.
9. Now comes the tricky part. In DNMP, the cameras following Duke are controlled by special entities. No matter where Duke is from the level, there should invariably be this special entity nearby defining the place where a camera considering him is supposed for being. To place this entity into the globe, well ought to open entity browser by clicking the button about the picture below.
10. This would be the entity class browser. There can be a bunch of stuff you will hopefully become familiar with time, for the moment all we have to do is locate the entity class highlighted inside picture below, and press OK.
11. As together with the starting position above, after you click somewhere from the 2D views now, you are going to be positioning a ghost with the entity that is going to be created. When you might be happy with its position, press Create as usual. Its not that important where this entity can become really. The position from the entity itself doesn't in any way customize the placement on the camera, well handle that below, for the moment we can just squeeze entity just a little distance away on the other things making sure that it will never get inside the way inside future.
12. Make sure the gametrack entity is selected either click it from the views, or click it from the group manager. Notice the properties tabs inside the bottom right corner with the screen. When you swich for the second tab, there is going to be a report on entity properties. Select the one named Track. This is really a list of control points to the future camera, but to date this list is empty.
13. Press Insert Item twice, and recognize that something happens within the views - a number of arrows and lines and curves will show up.
14. These new arrows and handles connected by lines can all be clicked and dragged around from the 2D views. As you achieve this, realize that various curves changes shape any time you move a positional handle or direction arrow handle. Try to manipulate the handles in the shape pictured below, so which the curves will align. One curve, ochre in color, represents the positions through which the digital camera should follow Duke along. The teal color curve definies respective position where the digital camera will aim. By mixing these up, weird things is usually done, but at the moment we only want the straightforward thing possible to attain, and that is always to stay somewhat aimed at Duke, moving along a straight line.
15. Things are coming along well, but we're still dealing with the wireframe view, maybe its a pointer to spend a while thinking about what our level will look like, and preview it. Press the textured preview button, and pay attention to how the brush geometry is actually showing the shaders about the surface in the polygons.
16. The default brush texture will not be very nice, will it be? Lets put it back. Select the brush.
17. Switch towards the surface properties tab for your brush, and click on Browse.
18. Shader browser window can look. Youll be competent to choose from all shaders inside game now. Choose on with the categories for the right the e01 through e08 are most usefull at this time, they contain level shaders from your respective episodes, and decide on a shader. Press OK. You are going to be back from the editor, along with the brush will changed its appearance.
19. Its time to provide light in the scene. Click the lamp button as for the picture below.
20. Once again, you happen to be going to get positioning the ghost in the light for being created, and after you could have found a good position, somewhere near Dukes starting position and above his head, it is possible to press Create
21. After you press create, additional properties with the freshly placed entity will end up accessible. On in the light properties is its intensity. This could be changed by managing the reference distance circle from the 2D views. Click about the green circle about the light and drag it further away in the light - that is making light stronger.
22. But changing light intensity without visual feedback is not any fun. You will want to change to lit preview on the level to determine how light affects the surfaces.
23. There we've it. Is the lighting strong enough? You whenever you pick the light, the circle around it is going to apear again, and you are able to change its intensity.
24. We are almost done. But we have now forgotten something important inside the steps above, also, since I am a lazy bastard I wont redo what I have written with the tutorial up to now, and merely fix it here. This is really a typical newbie mistake anyway, so at least this may bring it for your attention to it and you also wont help it become yourself also on your next own map.
Well should go back on the gametrack entity. Select it inside the group manager again.
25. With the entity selected, press your box brush button. Well need to build a special area-type brush, and possess this brush a child with the gametrack entity from the group manager. This brush defines the place where its camera should handle Duke, so whenever Duke are going to be in inside this invisible area brush, this blog camera will likely be the one thats considering it. In our map we merely have one camera, but more complex levels, things could get complicated, and you are going to want have very clearly defined which camera can be used and where. Dont forget to pick the Area radio button before pressing Create.
26. Now finally we may take a look at our map within the engine - it includes all the elements in needs being the simplest DNMP map you may possibly build. Press this button to create up the Build dialog.
28. This could be the build dialog. Press the Build Run button.
29. And here it is, our 1st working level. Congratulations.
Q: I cant save map source files on the editor, what the hell is being conducted? A: The editor builder suite won't like space characters within the complete path containing the map filename, including map name. This can be a legacy problem, a limitation that came to exist due to usage of the tools in heterogenous environment above the network, though the important thing for you would be to realize that you'll want to install the engine and obviously the editor into a different path compared to standard one. For instance C:DNMP is really a good one. But space in Program Files, or even the many spaces in Duke Nukem - Manhattan Project aren't acceptable for your editor, and also would be naming a atlas My First. Stay away from spaces in filenames and paths, and you will likely be fine. The engine just isn't limited using this method, so the action itself and then any user maps is usually installed into any folder, nevertheless the developments tools get their quirks.
Q: The tutorial was too an easy task to figure out how to make a more advanced map. Could you give to us a more detailed overview?
A: Nope. Open one on the many tutorial maps that you might find from the dnmpdukemapsrc folder. There are many instances of how to use and connect entities to make complex behavior within your maps, you must be able to figure it all the way. In fact, this tutorial authors information about the intricacies of DNMP entities and proper DNMP map construction are incredibly limited, and probably about the level of most newbies. While the editor is made at SCS Software, the experience code, game entities along with their logic was all written at Sunstorm, who've heavily customized the engine
Q: When I put my second brush in the map, I cant see it within the textured preview mode. Why?
A: You need to find the topmost, level node within the group hierarchy from the map, and change the CSG you start with property to void space. The default property works for indoor maps with numerous corridors and making use of sub brushes to reduce those corridords, but this is just not the case in lots of DNMP maps.
A: When you open the file named DNMP Prism thats a part from the editor download package, you are going to find quite many usefull info there around the editor. The document may be worth reading to use entirety, but specifically for that editor usage the sections Technical Info - Key Command Listing and Tips and Tricks are extremely good. You should also pay attention to your Tip from the Day popups inside the editor.
CSG means Constructive Solid geometry - a task to build solid objects off their solid objects using CSG operations. In the way it is of Prism3D, these operations are addition and subtraction, and so are inseparably tied on the solids themselves - the brushes. Other forms of geometry - triangle patches and bezier curves - will not be solids, so CSG operations don't take such them note, except for brushes, you have to keep the CSG limitations in your mind. The most critical thing to remember when using CSG in PrismEd is the ordering from the brushes matters inside the map group hierarchy.
entity - anything dynamic or game specific within the map is generally an entity. Entities can mark spots where player and monsters is going to be spawned, contain information and game logic needed for the amount to operatate properly, or perhaps be containers for geometry by way of example moving platforms, even lights are entities.
height map - a gray scale image with pixels colors representing the height of terrain over a range from minimum total black to maximum total white height.
triangle patch - a quantity construction element ideal for constructing open terrain scenes. Basically a consistent grid of triangles at user specified size, each vertex is usually positioned independently, but mesh connectivity can not be changed. Coupled with heightmap import tools may be a very productive tool for open terrain maps, as proved by Hunting Unlimited.
Virtual File System - inside the context of Prism3D, VFS is undoubtedly an abstraction of folder structures and file system how the engine and also the tools work together with. This allows for the action resources to become stored either within their normal state for the local disk or with a network disk, maybe in compressed form in zipfs packages. For VFS to be effective correctly, you should set everything in engine plus the editor - the mount points, and also the priorities.
There is usually a brand new feature inside editor - note to programmers: from the project s edit folder, it is best to create a file named. In this plain text file, you'll be able to list class names of entities that happen to be supposed to become a a part of your typical game level. The editor will warn the extent designers whether or not this cannot find a minimum of one instance of such entities into their levels. For instance every HU level needed an environment entity inside it and some starting positions note that you're free to make your own version of your entity that might spawn the squad into the entire world instead in the default one etc. Just make sure the VFS mounting priority of one's game edit folder in is more than that with the global prism3d edit folder.
7. After you could have pressed Create, first position entity will be put into the entire world, as well as its properties can be accessible. So now you will likely see the expected bounding box that Duke s character would occupy, and will probably be able to tell whether you've placed his feet below the earth, or whether you left him hanging from the air. You can fix that by either dragging the entity around inside 2D views with mouse, or by causing sure its selected, and utilizing arrow recommendations for move it around. You should end up with all the bottom from the bounding box neatly aligned using the floor.
8. However, Duke is looking an incorrect direction, a minimum of when compared towards the platform we've prepared for him. Click the end in the arrow representing Duke s orientation inside Top View, and rotate it around until they are facing the appropriate direction.
20. Once again, you happen to be going being positioning the ghost in the light to get created, and after you've got found the ideal position, somewhere near Duke s starting position and above his head, you'll be able to press Create
A: Nope. Open one in the many tutorial maps that you'll find inside dnmp duke mapsrc folder. There are many degrees of how to use and connect entities to produce complex behavior within your maps, you needs to be able to figure it full-scale. In fact, this tutorial authors know-how about the intricacies of DNMP entities and proper DNMP map construction are certainly limited, and probably around the level of most newbies. While the editor was made at SCS Software, the experience code, game entities along with their logic was all written at Sunstorm, that have heavily customized the engine