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Revolutionary video editing. Powerful media organization. Incredible performance for 4K video. The future of post-production ishere.
Editwithoutclipcollisionsorsync problems with all the Magnetic Timeline, Clip Connections, andmore.
Find any clip inside of a few clicks using acombination of automatic metadata and customkeywords.
Take full selling point of the incredible power of Mac Pro to edit and deliver 4Kvideo like neverbefore.
Built in order to meet the needs of todays creative editors, FinalCutPro breaks devoid of the restrictions of old-fashioned timeline tracks. A dynamic editing interface permits you to experiment freely while using the services of extraordinary speed andprecision.
With a visual simplicity that reveals powerful professional tools just when you wish them, the Magnetic Timeline in FinalCutPro provides an exceptionally fluid, flexible method to edit. Assemble shots easily as clips magnetically close to eliminate unwanted black gaps from the timeline. Similarly, clips get out of the solution to avoid clip collisions and sync problems. If you would prefer to work with traditional, non-rippling editing behaviors, you can utilize the Position tool to develop your timeline. Interactive animations teach you exactly whats happening while you work, in order to easily check out newideas.
Assemble sophisticated multicam projects with unprecedented speed and adaptability using FinalCutPro. The 64-bit engine enables you to work natively plus in real time that has a variety of formats, frame sizes, and frame rates. Create a Multicam Clip by automatically syncing as much as 64 angles of video and photos, or choose custom sync options to precisely align footage according to time of day, timecode, markers, or audio waveforms. To adjust a Multicam Clip, double-click to spread out it from the Angle Editor, which enables you to move, sync, and edit the style of individual clips. When its time to slice, simply drop the Multicam Clip to your project and click inside the customizable Angle Viewer. Or use keyboard shortcuts to seamlessly switch between car stereo on the fly. You can even combine audio channels from multiple cameras with just aclick.
Edit multichannel faster than in the past right from the timeline. A simple keystroke helps you to expand any audio file in place in order to view its separate components. Easily enable or disable entire channels, select ranges to timing and volume, and employ the embedded audio fade handles to quickly smooth transitions. For a complete look at your audio file, access the Inspector, to rename and hide individual channels. And if youre utilizing Multicam Clips, it is possible to switch between and combine multiple audio sources with aclick.
Clip Connections keep it uncomplicated to place clips like B-roll, sound clips, and music inside the timeline in order that they all move together while you make changes even inside the most complex projects. FinalCutPro automatically generates a Clip Connection once you drag an extra element to thetimeline.
Its all to easy to reorganize your story because you work, because you are able to move an area of your project in asingle step. Or press a modifier critical for keep Connected Clips stuck place when you rearrange clips from the Primary Storyline. Clear visual connections make it all to easy to hand off a project to a different editor or resume editing for a laterdate.
Compound Clips are automatically saved returning to the Library, making it an easy task to reuse them in other projects for instance, when coming up with a unique sound effect with layered audio. And Compound Clips work similar to Multicam Clips, so changes you make inside Browser instantly ripple across yourprojects.
The Magnetic Timeline improves on traditional means of trimming, including ripple, roll, slip, and slide edits. If you would like additional control, double-click an edit to spread out the Precision Editor making trims directly from the timeline. The Precision Editor expands your look at the edit point so that you can see both used and unused portions within your clips. Then skim entire clips and adjust edit points with aclick.
With the Auditions feature, you may collect multiple alternative shots at the single location inside the timeline and quickly cycle through them in context. Test different B-roll shots, different reads of the lines, different color grades for the similar shot, or different effects. Or use Auditions to generate multiple versions of the project for different deliverables and venues. Its simple to create an Audition simply drag shots associated with a length to your same place from the timeline and select Add to Audition. As you check out different shots, the Magnetic Timeline keeps everything insync.
Choose from simple animated 3D templates or use cinematic templates with built-in backgrounds to generate stunning looks within a click. Customize with countless materials, realistic lighting options, and text styles. And instantly open any title in Motion for total control.
Use the Color Correction effect to quickly grade your image, web site simultaneously view around four separate scopes. Apply Shape, Color, and custom Draw masks to pinpoint effects to specific parts of the frame. Andsave any effect to be a preset to simply reuse later.
Todays video editor handles more formats and footage previously before. FinalCutProX allows you to handle itallwithease, offering a streamlined import interface and dynamic new approaches to organize yourmedia.
Libraries are young source clips and edited projects within a unified bundle. You can organize your media into separate libraries and open only the libraries you would like to access this article you need. Its an easy task to work across libraries and manage media between them while using the Librarysidebar.
Libraries also enable improved collaboration. You can store libraries in almost any system location and share your creative use others by passing libraries between editors, assistants, and high-end sound and color finishing. You can also tend to keep source files, optimized and proxy media, and render files inside library bundle or position them in external folders to simplify multiuser workflows.
Seamlessly import media from cameras, DSLRs, and drives utilizing the unified import window. The streamlined interface carries a customizable List view well suited for reviewing metadata plus a Filmstrip view that makes it simple to browse a lot of footage. The newly integrated sidebar enables you to control media management, transcoding, keywording, and image analysis from one display.
FinalCutPro dramatically increases preparing your media by analyzing your source material inside the background when you edit. Content Auto-Analysis scans your footage and produces metadata according to the way editors like to assist range-based tags for media attributes, camera data, shot type, and regardless of if the shot contains an individual, two different people, or maybe a group. Use these tags to sort, filter, and look yourclips.
Set up Auto-Analysis that occurs during import or analyze clips later in the event you prefer. Content Auto-Analysis also performs processor-intensive tasks beforehand, including evaluating Color Balance and repairing typical audio problems. Then you should use these features in live as youedit.
Search a lot more precisely by creating your own personal keywords and assigning these phones clip ranges. Skimming and keyboard shortcuts allow you to efficiently browse hours of footage, and you are able to make and look after multiple range selections even on a single clip. Use range-based keywords together with rich metadata from Content Auto-Analysis to locate any shot that has a few keystrokes. Thats a large improvement over old-fashioned staticbins.
Set up Smart Collections for individual events or perhaps entire library to arrange clips without moving or copying files. Create a search using any mixture of metadata and keywords, then save it being a Smart Collection. And every new library depends on useful Smart Collections already made for you, which means your material will organize itself before youbegin.
Built-in content browsers permit you to preview and check for photos, music, and sound files without leaving Final Cut Pro. Easily access visual content over the Photos Browser, consisting of your libraries from iPhoto, Aperture, along with the new Photos app. Final Cut Pro supports MP3 and AAC files, so you need to use iTunes when your built-in music library. Final Cut Pro even offers more than 1300 royalty-free sound clips through a free software update, as well to be a range of generators including graphic backgrounds and textures that add polish in your projects. When you find this article youre searching for, just drag and drop to include it directly on the timeline.
Designed to look at full benefit of the power of OSX and multicore Mac computers, FinalCutProX operates at blazing speeds is actually superiorquality.
Work faster than ever before with FinalCutPro and MacPro. Dual-GPU support provides incredible real-time performance when working together with layered effects and multiple streams of 4K video. And FinalCutPro uses both GPUs to accelerate background rendering and quicken demanding tasks like optical flow analysis. Ultrafast I/O provides 4K video monitoring via Thunderbolt 2 andHDMI.
Work with larger projects, larger frame sizes, more frames in RAM, and deeper multilayered effects.
See dynamic feedback within a highly responsive interface enhanced for Retinadisplays.
Save time with faster processing with the use of all CPUcores.
Trust the colour consistency across FinalCutPro, Motion, Compressor, andQuickTime.
Using the Shared Render Engine, create blurs, scales, and lights in floating-point, linear-light color space precisely the same quality present in high-end compositingsoftware.
Final Cut Pro supports an extensive collection of professional formats including REDCODE RAW, Sony XAVC, AVCHD, H.264, and AVC-Ultra. You can also natively import, edit, and deliver MXF files. And Final Cut Pro supports a variety of audio formats including MP3, AAC, AIFF, SDII, and WAV.
Edit flexibly with support for image sizes from SD to 4K and beyond. And on an iMac with Retina 5K display, you may view full 4K video with pixel accuracy and have room on your browser andtimeline.
Create more difficult, higher-resolution effects that play in realtime.
Eliminate interruptions to editing while rendering, transcoding, and movingmedia.
Render with pristine quality across FinalCutPro, Motion, andCompressor.
Edit full-frame 4:2:2 and 4:4:4:4 HD, 2K, 4K, and larger video sources including ProRes Log C from ARRI ALEXA and AMIRA cameras with multistream, real-time performance in FinalCutPro.
Use Thunderbolt I/O technology from the latest Mac computers to daisy-chain as much as sixhigh-performancedevices, including a video capture device, a high-speed external drive, as well as a high-resolution display. You canalso use Thunderbolt video devices to output video and audio to an external broadcastmonitor.
Final Cut Pro increases the entire post-production workflow. Import, organize, edit, add effects, sweeten, grade, and deliver with unprecedented ease.
Make every effect special.
Download from your Mac App Store for 49.99.
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Available through the Mac App Store for 299.99.
Just click to download and install.
Directors John Requa and Glenn Ficarra teamed with editor Jan Kovac to chop their new Will Smith film in FinalCutProX. Read more
TV editors create compelling local newswith stunning 3D graphics using FinalCutProX, Motion5, and MacPro. Read more
Mexican TV broadcaster of hugely popular telenovelas rolls in FinalCutProX for fasterworkflow. Readmore
See whats new in version 10.2 Motion graphics set the scene from the latest launch of Final Cut Pro. Create stunning 3D titles within a few clicks. Adjust the looks, lighting, animation plus much more with simple controls that generate studio-quality titles. Colour grade with multiple scopes, easily apply custom masks and save custom effects for immediate access later. You can do it all over a wider selection of video, because Final Cut Pro adds support with the latest pro formats from Panasonic and Sony and features incredible GPU acceleration for RED RAW footage.
Read about professional video editors in broadcast, education and have filmmaking using Final Cut ProX.
Directors John Requa and Glenn Ficarra, in addition to editor Jan Kovac, cut their box officetopping feature entirely in Final Cut ProX.
A thriving ecosystem permits you to streamline your workflow and enhance the feel of your projects with powerfulutilities, inventive plug-ins and delightful content.
The blend of Final Cut ProX and MacPro allows you to edit faster previously before at 4K and beyond.
Make every effect special. Create stunning effects and sweeping motion graphics, including studio-quality 2D and 3D titles that it is possible to immediately open in Final Cut ProX.
Advanced encoding. Simplified. Quickly encode video employing an intuitive interface and today create an iTunes Store Package to streamline delivery of your respective film towards the iTunesStore.
Download in the Mac App Store.
Available on the Mac App Store.
Fine-tune your Final Cut Pro X workflow with third-party products, detailed online tutorials, and support from your thriving community of industry professionals.
Learn much more about the wide selection of plug-ins, devices, and content to be used with FinalCutProX, Motion5, and Compressor4.
Get trained, certified, or just around speed on Apple pro video apps by way of a wealth of online trainingmaterials, ebooks, white papers, plus much more.
Whether youre a new comer to Final Cut Pro or simply looking to acquire some tips, it is possible to get approximately speed quickly by viewing online tutorials supplied by leading video training developers.
Larry Jordan provides comprehensive training to video editors using Final Cut Pro. His unique style, techniques, methods, and resources boosts your productivity and improve your skills. Power up your learning of Final Cut Pro, new or old, with Apple Certified Trainer Larry Jordans free articles and videos.
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Work faster than ever before with FinalCutProX and Mac Pro. Dual-GPU support provides incredible real-time performance when using the services of layered effects and multiple streams of 4K video. And FinalCutPro uses both GPUs to accelerate background rendering and accelerate demanding tasks like processing RED RAW files, Send to Compressor, and optical flow analysis. Ultrafast I/O provides 4K video monitoring via HDMI and Thunderbolt2.
No longer restricted for the 4GB limit of 32-bit applications, FinalCutPro uses all of the RAM within your body to handle larger frame sizes whilst keeping more frames in memory. You can now create more extensive projects and work together with deeper, more interesting multilayeredeffects.
FinalCutPro natively supports more formats than ever before, including REDCODE RAW, SonyXAVC, AVCHD, H.264, and AVC
To have a free trial of FinalCutProX version 10.2.2 for the Mac, enter your name
and email address inside box below, then clickDownload.
If youre employing a previous version with the FinalCutProX trial, you will have use this version free for an additional pair 30 days.
Final Cut ProX uses a Mac with OSX v10.10.4 or later, 4GB of RAM 8GB suited to 4K editing and 3D titles, plus an OpenCL-capable graphics card or Intel HD Graphics 3000 or later. For details, see
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Explore FinalCutProX Resources to learn more to do with the application as well as ecosystem of third-party products and training.
To install, first open the disk image, then double-click the installer package. You will be guided from the installationprocess. You can install the trial application even in the event you already have a previous licensed version of FinalCutPro.
If youre already having a licensed copy of a previous version of FinalCutProX, you will end up prompted to change your librarywhen the trial application is first launched. It is recommended and keep a back version within your libraries beforeupgrading. Once your library is upgraded, you should update your licensed copy of FinalCutPro to gain access to yourupgraded libraries following the 30-day trial periodexpires.
External monitoring of audio and video with third-party Thunderbolt and PCIe devices, or via HDMI on select Maccomputers
Full-screen, real-time preview playback of SD, HD, 2K, 4K, and 5Kmedia
Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and as much as 64 cameraangles
Magnetic Timeline automatically keeps material in sync, prevents clip collisions, and eliminatesgaps
Clip Connections keep secondary material in sync while trimming and moving the Primary Storyline. Press a modifier step to keep Connected Clips stationary while slipping, sliding, or moving clips inside PrimaryStoryline.
Compound Clips allow complex compositions to become simplified in a singleclip. Compound Clips are automatically saved to your Browser for straightforward reuse, and changes to Compound Clips actively update in every projects where they've already beenused.
Auditions combine multiple clips in a single clip to find out alternative takes, color grades, or effects incontext
Mix frame sizes, frame rates, and formats inside same timeline approximately 5K in realtime
Edit at 23.976, 24, 25, 29.97, 30, 50, 59.94, or 60fps
Insert, Overwrite, Replace, Append, and Connect with keystroke or drag anddrop
Direct use of iTunes, iMovie, iPhoto, and Aperture through MediaBrowsers
Snapping to Playhead, Skimmer, Clips, andMarkers
High-quality, real-time vectorscopes, waveforms, and histograms for both Viewer and Event Viewer. Vertical keeping scopes below viewers optimizes onscreenspace.
Organize, view, mute, and export dependant on automatically assigned or custom rolesmetadata
Inline Precision Editor allows skimming of used and unused media around edit point, plus trimming to Skimmer having a singleclick
Trim Start, Trim End, or Trim to Selection in a very single keystroke for fast news and documentaryediting
Beautifully animated and easily customizable 3D titles with a huge selection of combinations of materials, lighting, and edges
Advanced chroma keying with controls for color sampling, edge adjustments, and lightwrap
Use Open in Motion on any effect, modify in Motion, and save as new in FinalCutPro
Access music, sound files, transitions, filters, color looks, and generators through MediaBrowsers
Over 113 filters, keys, blurs, and colorlooks
41 backgrounds, elements, solids, andtextures
Apply Draw mask to the clip with alternatives for linear, bezier, and B-spline control point smoothing
Multiple keyframe selection, copy, paste, and transfer thetimeline
Trim, crop, and Ken Burnseffect
Three Retime quality settings: normal, frame blending, and optical flow
Multichannel audio editing for adjusting individual audio channels from the timeline, with power to assign roles tochannels
5.1 surround monitoring and keyframe control forpanning
Preset animations for 5.1 surround panning like Back to Front, Rotate, Create Space, andmore
Audio enhancements for volume normalization, background noise removal, and hum removal for both 50Hz and60Hz
Unique Color Board with controls for saturation, exposure, andcolor
Balance Color instantly improves kinds of skin, removes color casts, and expands dynamic selection of bright and dark elements of theimage
Keyframable masks with size, rotation, and softnessadjustments
Adjust the interaction style between masks with add, subtract, or intersectsettings
Supports real-time Look Up Tables LUTs through the latest pro cameras from ARRI, Canon, Blackmagic Design, and Sony
Single interface for importing from cameras, drives, network locations, and camera archives. Browse media in List view or Filmstrip view, and save Favorite locations on networks andvolumes when frequently importing on the sameplaces. The import window consolidates media management, keywording, transcoding, and image analysis options to a single sidebar.
Apple ProRes family, a 10-bit, full-width VBR codec that supportsall major frame sizes and framerates from ProRes 422 Proxy to ProRes4444 XQ, including ProRes Log Cfrom cameras including ARRIAMIRA and ALEXA
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