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The Big Break Screenwriting Contest is currently closed for entries. Click Learn More for info on finalist announcements in order to sign up for being notified of latest contest developments.
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By checking this box, I certify that I say yes to all stipulations of the Big Break Contest. Click here for conditions.
Allowed file extensions to upload: FDX, PDF
The Grand Prize winners is going to be revealed in the 11th Annual Final Draft Awards in February.
Click Get Notifed to obtain Grand Prize announcements and also be notified of contest news followed by years deadlines. Want to plan for next years contest? Download our free Guide to Entering and Winning The Big Break Contest.
Big Break Contest by June 30, 2015 and launch your writing career
Eleven winners will share cash, prizes, plus the New York Film Academy Writing Fellowship which has a total value over 80, 000
Join past winners who scored representation with A-list executives and have absolutely seen their scripts optioned, sold, and produced
Enter your feature screenplay in a single of seven genre categories including Action, Comedy, Drama, Family, Period, Sci-Fi, and Horror
Take a tour with Big Break winners since they walk the red carpet and receive their awards on-stage for the Final Draft Awards at Paramount Studios.
Since I shouldnt include our information within your body of my script or within the title page, how do I remove or pay off the title page?
After the script is saved, when its next opened in Final Draft, Document Title Page will probably be blank. Dont worry, the entry system captures your title and supplies it to your reader.
Final Draft 6: Simply pay off the title page as directed above. This will cause the title page for being removed from your PDF export.
For facts about how to produce the title page, simply click here.
How can I make certain my script are not plagiarized?
We suggest that you register your script with all the WGA and/or the Copyright Office. We do not require such registration for entry. We are aware we instruct take a look at to include an appliance cover page to ensure readers cannot call at your name which copyright or registration information would normally be on that page. We simply propose that you take a minimum of one of those steps to defend your intellectual property.
Whether one does or not, your script it is read. At no reason in the entry process will we check for registration or copyright. Our contest has become running for fifteen years and we have become careful with this entrants scripts. However, those basic steps will help ensure your work is protected.
How long should my screenplay be?
Suggested length for screenplays is around 80 to 120 pages and then for teleplays it is roughly 25 to 70 pages. Entries over 150 pages WILL BE DISQUALIFIED.
Submissions lower than 20 pages or that happen to be clearly not much of a screenplay short stories, comic books, etc. also are disqualified.
What include the criteria for judging, and which genres are accepted?
Action/Adventure - Films with strong action scenes, exotic locales, stories of risk.
Comedy/Rom-Com - Romantic comedies, straight, dark and raunchy comedy, satires, etc.
Drama - More serious, realistic scripts exploring dramatic stories with deep themes.
Family/Animated - Scripts directed for the children/family market, movies that may be enjoyed through the whole family, animated features.
Period/Historical/War - Biopics, scripts based largely inside past, war epics, and scripts featuring historical characters.
Sci-Fi/Fantasy - Space travel, disaster and post-apocalyptic stories, scripts placed in alternate worlds and universes, stories with magical elements.
Thriller/Horror - Scripts which use suspense, fear and/or tension as main story elements, spy and crime thrillers, psychological thrillers, mysteries, ghost, zombie and monster stories.
For TV scripts, we accept entries within the half-hour and hour-long spec and pilot categories.
Pick the genre that best suits your script. You can also go into the same script in the different genre for further consideration, nevertheless, you will need to submit another complete entry for your script. The readers and judges try to find qualities like craft and execution, originality, dialogue, characterization and structure.
The Big Break is often a rewards-based contest while offering cash, prizes and Hollywood meetings for that winner no feedback or coverage.
Who are going to be reading and judging my screenplay?
Our readers are professional script analysts who carefully evaluate each entry and sign confidentiality agreements to be sure that your work is protected. After screenplays are narrowed to finalists, a panel of notable industry professionals conducts the ultimate judging to discover the winners. These jury members represent award-winning writers, producers, and A-list executives. The 2015 judges will likely be announced while they are confirmed.
Any rule-abiding writer older than 18 whose screenplay or teleplay will not be currently optioned.
What would be the deadline to go into the 2015 Big Break Contest?
40.00 - Early Bird Deadline May 1, 2015
50.00 - Standard Deadline June 16, 2015
65.00 - Extended Deadline June 30, 2015
Dates reflect deadlines for electronic submission of scripts. All entries has to be electronically submitted by their respective deadlines.
Yes, the Big Break Contest does charge an entry fee to hide the costs of administration and reader fees.
Can I type in the same script in than one year with the Big Break Contest?
Yes, many entrants revise their scripts many times and re-enter. Some have gone on become finalists after the process.
Can I submit multiple screenplays and/or teleplays during one contest year?
Yes, you could possibly enter as numerous different scripts as you desire. Each script need to be submitted being a separate entry.
Can I type in the same revised script more than once inside the same contest year?
Yes, even so the revised script is going to be counted to be a new entry and should be submitted separately.
Do you favor digital or printed scripts?
Were environmentally aware and only accept digital scripts. We accept Final Draft FDX or FDR or Adobe Acrobat PDF files.
Can I submit a paper script?
The Big Break entry system has become streamlined for your leisure and by popular demand. Please note that any of us no longer accept paper submissions.
Do you accept teleplays or stageplays?
We accept hour-long and half-hour original and spec television scripts besides feature screenplays. We do not employ a division for stage plays.
Do I need being a Final Draft user to type in the Big Break Contest?
No, one does not have to work with any Final Draft, Inc. products to type in the Big Break Contest. Complete home elevators eligibility can be found within the Big Break rules within the Big Break product page.
In fact, many scripts are submitted in PDF format. The judges do not know which software generated the script.
Can I submit a screenplay which has a writing partner?
Yes, you together with up to three other writing partners are going to be credited as winners and definately will divide the prizes amongst yourselves together with the exception of travel with the grand prize feature and grand prize TV winners. Final Draft, Inc. will provide travel and hotel for as much as two writers in those categories. It may be the responsibility on the winners to make the decision who will travel and attend the meetings and the way the cash and prizes will probably be distributed. Winners from the feature and TV finalist prizes are responsible for dividing the money and prizes amongst themselves.
Can I send my script inside a language aside from English?
You may go into the contest, however the script need to be written in English making sure that our readers can understand it. If a script has other languages within it as part with the plot, simply denote that this line are going to be spoken in another language having a parenthetical, Speaking in Spanish.
Can I submit images, audio, or accompanying documents in conjunction with my screenplay or teleplay?
Spec scripts are judged both inside industry along with our contest for the merit in the story along with the writing skills. As such, we simply cannot accept any supplemental materials together with your script.
The exception is original hour-long and half-hour TV entries, which can include standard supplementary materials, like lists of recurring characters and future episodes, as part from the screenplay.
I dont live within the United States. Can I still enter?
Yes, we accept entries from every nation and territory within the world. Weve received submissions from Canada, the UK, Australia, New Zealand, Ireland, Germany, France, Spain, Zimbabwe and China, among others. And if youre one in the top three winners, well fly you against wherever yourr home is to Los Angeles to the contest awards event.
When would be the semifinalists, finalists and winners announced?
The quarter-finalists will likely be announced in late September by using a Final Draft email blast and listing for the Big Break website. Semifinalists, finalists, and winners will probably be notified through the contest director via phone or email. The semifinalists is going to be announced in October, the highest 10 finalists in features and television at the begining of November, the superior 5 in mid-November, and also the winners in the feature and TV at the beginning of December. The Grand Prize winners in features and TV will probably be revealed for the 11th Annual Final Draft Awards in February.
How can I verify that my submission would help and may be received?
You will likely be notified by email soon after submitting your script your entry is received. If you have received a confirmation email, your script was in our system with no further action is required. If you have not received a confirmation email, booking your junk mailbox or junk filter. If the confirmation just isn't in either place, email to get a copy within your confirmation. We will contact you if there's any technical issue with all the file you submitted.
Do I keep the rights to my screenplays after submitting to your Big Break Contest, whether you aren't I win?
Yes, you continue all rights and soon you choose to sell or option your screenplay and/or teleplay.
Ive written a screenplay based on a true story. May I use real peoples names within my Big Break submission?
We do accept adaptations of true stories, however, you must make sure that the folks represented within the script have given you permission to utilize their names and stories unless those stories are inside public domain along with the rights can be obtained. In order to go in, you need to be able to grant the rights towards the story you wrote to your producer, should he would like to option the script. Securing the rights for the source material will be the responsibility from the screenwriter. If you feel the rights are offered, you could possibly certainly enter. Regrettably, we simply cannot offer any information on whether or otherwise not the rights can be found. We suggest that you consult a lawyer if you plan to pursue the project, as being the question regarding rights - even life rights - would eventually appear and need to become addressed previous to anyones optioning or acquiring the script.
Is it possible to submit an adaptation of your novel that not has copyright author deceased over a century ago?
We do accept adaptations. However, the foundation material must have been written because of the screenwriter from the adaptation. Therefore we can't accept scripts adapted from works available from the public domain.
Would you accept a screenplay that may be an adaptation of the published book, the location where the writer has contractually optioned the movie rights to your book?
No, the original source material with an adaptation need to be written from the screenwriter entering the contest.
Can I submit a screenplay or teleplay that's previously under contract though the contract has elapsed?
Any script that's currently NOT under option or contract is eligible to go into the contest. If a pre-existing option has expired, you are able to go into.
What happens if I produce an opportunity to sell or option my screenplay or teleplay after entering the contest, before the contest is finished? Will I still have the capacity to sell or option it?
Yes, you should simply have to inform us the script was optioned or sold and that we would remove it through the judging.
The Big Break Screenwriting Contest only accepts online entry of feature film and television screenplays pilot and spec television scripts only - miniseries can't be accepted.
No printed scripts will likely be accepted.
To enter your script electronically, you should submit your screenplay in Final Draft FDX or PDF format.
You will not be required to work with Final Draft in order to enter in the Contest.
All submissions should incorporate full-length screenplays approximately 80 to 120 pages or teleplays hour-long approximately 40 to 70 pages, half-hour approximately 20 to 35, half-hour multi-camera with double-spaced dialogue approximately 50 to 60. in standard industry format for movie screenplays and teleplays, coded in English. If you are employing a word processing program that automatically formats screenplays, for instance Final Draft, pick the Screenplay or Teleplay format template.
All information you need is captured upon entry of digital submissions, so title pages really should be removed or contact info must be deleted on the title page. The title in the script will probably be provided on the reader as part from the file name and inside the judging form.
Do NOT include personally identifying information name, etc. on ANY page of your respective script.
Entry should consist of an screenplay or teleplay only. Do not include resumes, pitches, synopses,
casting suggestions, letters, or some other supporting documentation together with your submission. Judges is not going to receive these materials.
Entrants may submit multiple entries. Each submission must include a entry and must such as a separate file and separate entry fee. Entries will probably be considered with the genre prize in each category along with the grand prize either in feature film or television.
The Big Break Contest is ready to accept any individual that is 18 yrs . old or older with the date of entry and has entry to the Internet.
Employees, officers, directors, contractors and agents as well as their immediate families and family members regardless of where they live, or members from the same households whether related or otherwise not of Final Draft, Inc. and it is respective divisions, affiliates, subsidiaries, agents, Big Break Contest sponsors, and advertising agencies collectively, the contest providers, are not allowed to participate within the contest in order to win any prize.
Screenplays under option at time of submission are certainly not eligible.
Adaptations will not be eligible unless the origin material was written with the screenwriter with the entry under consideration. Scripts are certainly not eligible if the cause material is sold, produced, or perhaps is currently under replacement for any 3rd party.
Spec scripts for virtually every currently airing with new episodes network or cable program and also original pilot scripts are accepted for your TV categories. Spec scripts has to be for television programs currently for the air for the time on the contest entry. Spec scripts for shows cancelled or ended before receipt on the entry is going to be disqualified.
Grand Prize winners in Features and TV and winners on the Feature Genre Awards and TV Category Awards are not permitted to re-get into the winning script later on Big Break Contests. They are, however, eligible to penetrate different scripts for consideration. Grand Prize Feature and TV, Genre and Format winners be given a free entry inside the 2016 Big Break Contest as part of their 2015 prize package.
Screenplays written by nearly four people could be entered inside contest. Only one entry fee is necessary for such entries. All writers names must be listed for the online entry. List mcdougal who are going to be the primary contact first, and will include the address, telephone, and email for the person only. All writers must authorize submission in the entry. By clicking Submit, all writers authorize the submission.
If a screenplay published by multiple writers is one kind of either with the Grand Prize winners, Final Draft, Inc. pays airfare and hotel for as much as two writers, as well as writers should have the substitute for attend meetings with studio executives and agents. All cash awards are going to be split equally between all writers. If a screenplay provided by multiple writers is any in the Genre or TV Format finalists, prizes is going to be divided at writers discretion.
In order to operate a fair contest for all those entrants, revisions or missing pages will never be accepted under any circumstances once an entry may be received.
Once an entry is submitted and payment is processed no refunds will likely be issued.
If the script is rewritten throughout the entry submission period, the writers may resubmit a script to be a new entry for consideration inside the contest. A resubmitted script is treated to be a new entry and an entry fee.
Big Break Contest entrants retain all rights thus to their screenplays.
By entering the Big Break Contest, you represent and affirm that a entry can be an original creative work, and doesn't infringe, misappropriate or violate the copyright, trademark or some other intellectual rights of any vacation.
By entering the Big Break Contest, you acknowledge and agree that contest Judges receive numerous submissions of ideas, stories and scripts, understanding that your entry, and also the ideas and stories embodied inside it, might be similar or just like other material already received and/or produced by one or more in the Judges.
You also agree that you are certainly not entitled to any compensation or credit to be used by contest Judges of the such other material.
By agreeing about bat roosting Rules and Conditions you agree that you've got read the rules with the contest knowning that you hold the authorization to submit this screenplay towards the Big Break Contest. You further agree that your particular screenplay is owned by you together with co-authors.
VOID WHERE PROHIBITED OR RESTRICTED BY LAW. All federal, state and local legal guidelines apply.
The entrant shall indemnify and hold harmless Final Draft, Inc, its employees, contractors, agents and Big Break Judges from and against all claims, liabilities, losses, damages, and expenses including and not limited to attorneys fees, and costs from the court which could be incurred by reason of a typical claim involving copyright, trademark, credits, and/or publicity to your Screenplay entered.
11 Feature and TV Winners share over 80, 000 in cash and prizes!
7 Feature Winners in each on the following genres: Action/Adventure, Comedy/Rom-Com, Drama, Family/Animated, Period/Historical/War, Sci-Fi/Fantasy, and Thriller/Horror
Four TV Winners from the following formats: Half-Hour Spec, Half-Hour Pilot, Hour-Long Spec, and Hour-Long Pilot
Pitch Your Screenplay Like a Pro Ebook and Bonus Videos on marketing your screenplay plus guidebook How To Capitalize on Your Big Break Win by Melody Jackson, Founder of Smart Girls Productions
Copy of Save The Cat! Strikes Back by screenwriter Blake Snyder
15, 000 cash for Feature Winner, 2500 cash for TV Winner
Breakfast with screenwriter/producer Pen Densham Riding the Alligator, Moll Flanders, Robin Hood: Prince of Thieves, producer of Backdraft
Copy of Save The Cat! Story Structure Software
An Email Query Blast to advertise your screenplay and exploit being a Big Break Winner from Melody Jackson, Founder of Smart Girls Productions
Query Letter or One-Sheet analysis plus a personalized, signed copy of
One-hour career consultation with Carole Kirschner of Park around the Lot to make a in depth, personalized strategy for leveraging the contest win
Co-sponsored by The New York Film Academy, this phenomenal screenwriting fellowship can be a merit-based scholarship made to raise each writer into a higher level of storytelling craft and offer intensive real-world training within the business of Hollywood.
The fellowship begins which has a 12-week master classone for film writers then one for television writersheld for the Burbank campus from the New York Film Academy and taught by top New York Film Academy instructors. Writers get individualized instruction and mentoring into their chosen medium, and visiting industry VIPs will supply first-hand, practical insights to the entertainment industry Out of town winners will likely be able to participate via virtual classroom.
Once the workshop is completed, each fellow is going to be given a New York Film Academy Mentor in order to meet with once a month with the remainder in the calendar year for more guidance in script and career development.
New York Film Academy is specialized in promoting excellence in screenwriting so we are proud to partner with Final Draft in co-sponsoring this fellowship.
In recent times, 50 plus Big Break semi-finalists, finalists, and winners are already signed to professional representation. Many experienced scripts optioned, sold, and produced. Others have discovered full-time are employed in television. Read about their successes below!
2014 Half-Hour TV Pilot winner Ty Freer has signed with The Gersh Agency for representation.
2013 Top-10 winner Shovel Buddies by Jason Kellerman tops the Blacklist with the exceptional script will probably be produced by AwesomenessTV and Film 360 for day-and-date theatrical and VOD release. Read more.
2013 Half-Hour TV Pilot winner Nicholas Anthony is working inside the writers room of CBS new show The Inspectors.
2014 Top-5 finalist James Barclay has signed with Magnet Management.
2014 Half-Hour TV Pilot winner Ty Freer has signed with Echo Lake Management.
2014 One-Hour TV Pilot winner Derek Asaff has signed with Matt Shictman and Peter McHugh of The Gotham Group.
2014 Final Draft Big Break Contest winner inside the Drama category Peter Wulff has signed with Big Break judge Jeff Portnoy of Heretic Literary for management.
Rajiv Shahs screenplay Run The Tide, that has been a top 35 finalist from the 2012 Final Draft Big Break Contest, has wrapped filming with Taylor Lautner Twilight starring. Click here to look at complete article.
2013 Big Break Action/Adventure winner Mike Scannell sells spec Scarecrow to Screen Gems. Click here to look at complete article.
Jacob Stark and Benjy Kaplan, 2013 TV HalfHour Spec winners, have signed with CAA for representation.
2013 Comedy/RomCom top-3 finalist Stacy Jo Coffeys entry Adult Publishing For Teenaged Girls was optioned by Unstoppable Entertainment.
Nicholas Horwood, 2013 Feature Grand Prize winner, has signed with Magnet Management after meeting Mitch Solomon in the Big Break judges lunch.
2010 third-place winner Larry Brenners script Bethlehem sold to Universal Click here to look at complete article. Big Break judge Mitch Solomon of Magnet Management in addition has helped Larry secure writing help hire within television and features.
2012 Big Break to begin with winner Craig Houchin just signed with agent Joel Millner of Larchmont Literary, and it is working with Katonah Pictures producer Chris Salvaterra to package the film of his
winning screenplay, Ludlow.
Since winning the 2011 Big Break, Adam Perlman and Graham Sack have signed with The Gersh Agency for film and television and so are developing a film project with Global Produce. Additionally, Adam is often a writer to the HBO original television series The Newsroom.
Walt Disney Pictures acquired Labyrinth, a pitch by 2010 third-place Big Break winner Larry Brenner.