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Working understanding of Photoshop is suggested.
Three compiled builds, one for web deployment and another for running locally inside your browser and also a third AIR application for desktop installation.
Flash Catalyst CS5.5 enables designers to grow their skillset and design user interfaces and interactive components for Flex based applications without writing code. Designers can rapidly prototype user interfaces using skinnable components and interactions, which could then be mailed to clients for approval. These prototypes use the open-source Adobe Flex framework, which enable it to be exchanged Adobe Flash Builder 4.5 to get more advanced development. The collaborative workflow allows Flash Catalyst and Flash Builder users to operate in parallel, thereby maximizing team productivity.
Flash Catalyst combines an intuitive interface and toolsetР В РІР‚ВВsimilar to individuals in Adobe Photoshop, Illustrator, and FireworksР В РІР‚ВВusing the expressiveness, consistency, and reach on the Adobe Flash Platform.
The intent behind this tutorial is usually to introduce designers to your basic concepts and workflow associated with using Flash Catalyst.
This tutorial covers the many skills and techniques was required to take a concept from the static file for an interactive, multimedia interface. More specifically, you'll learn how:
To use recommendations when building an Illustrator AI file and the ways to import the artwork into Flash Catalyst CS5.5.
To turn a static file into an interactive program, including tips on how to create individual gui states and button components allow navigation.
Flash Catalyst uses layers to control the visibility of artwork within different states. Within the specific tours state, you'll create a popup area which contains upload form. In the process, you'll learn about creating default and custom actions for state transitions between states, including moving, resizing, and fading layers.
To preview and publish the finished project to some SWF file and AIR application.
Note: This article discusses the utilization of Adobe Illustrator to build artwork in order to use in Flash Catalyst. You may use Adobe Photoshop to produce artwork; many from the hints and tips below is usually applied to your file.
Flash Catalyst CS5.5 and Flash Builder 4.5 enable designers and developers to collaborate and be employed in tandem on projects.
This workflow outlines perhaps the most common set of steps designers usually complete within Flash Catalyst and also other CS apps to provide wireframes and rapidly prototype applications. With the involvement of an developer, Flash Catalyst projects may be extended further using Flash Builder- for instance to connect to your database or web services. This tutorial concentrates on the workflow within Flash Catalyst. There are several other articles on Flash Catalyst and Flash Builder that report how, as an example, files and aspects of applications- like skins and components- may be exchanged between designers and developers. See Where to go from this point at the end with this tutorial.
Figure 1. Wireframing and prototyping workflow
If you havent done this already, download and unzip the sample files that include this tutorial. Open the file. Note the well-labeled structure or order with the layers in this particular file see Figure 5. Use these recommendations as you design and build your personal user interfaces for Flash Catalyst.
The background layer contains elements common to all states inside design. Some from the graphic elements that you just wont be building out with this tutorial are already flattened for simplicitys sake.
The header layers include the logo, search, welcome message, login, and post a screenshot button. This last item are going to be converted in a functional button in Flash Catalyst just for this tutorial.
The folders layer is the text and graphics for that mockup project and users filters.
Other layers support the page feel and look content.
As you create your Illustrator AI file, organize your elements into logical groups for instance background, navigation, header, and individual page content. The folder and layer structure of the AI sample file is straightforward see Figure 2.
Figure 2. The Pixd interface layers in Illustrator.
As you create Illustrator interfaces, your layer folders and subfolders will more than likely contain artwork in a more granular level. Consider grouping artwork that can eventually become individual Flash Catalyst components for example scroll bars, drop-down menus, and buttons. This will make your AI file much easier to be effective with when imported into Flash Catalyst. As you create different interactive states in Flash Catalyst you might turn on / off these different layers.
Design your artwork by using a single art board.
Give everything an identity. Just as with naming layers and groups, it is usually important to name individual graphics and elements from the Illustrator file.
Dont connect to external image files. Keep your assets within one Illustrator file.
Define all of the states of your component in Flash Catalyst in contrast to Illustrator. Flash Catalyst provides comprehensive methods of editing text and graphic properties, including fills, gradients, and strokes
Note: For a better discussion of preparing artwork in Adobe Illustrator, read Andrew Shortens article Adobe Flash Catalyst guidelines.
If you're using Adobe Photoshop, structure your file while using tips layers discussed with this section.
After creating your interface design in Adobe Illustrator, you are able to import it into Flash Catalyst:
Open Flash Catalyst and, for the Welcome screen, pick the option Create New Project from Design File From Adobe Illustrator File see Figure 3.
Figure 3. The Adobe Flash Catalyst Welcome screen.
Navigate for the file you downloaded and select it. The Import dialog box offers you some customization options see Figure 4. Youre likely to keep each of the layers editable and import any non-visible layers.
Figure 4. The Illustrator Import Options dialog box.
Click OK in order to complete importing the file.
After the import is finished, the program will appear since it did in Illustrator see Figure 5. The individual layers will likely be listed inside the Layers panel about the right. Clicking an evident item inside Layers panel will select and highlight that specific layer item with your interface.
Note: If the Timeline panel is open, double-go through the tab to lessen it. I will discuss the Timeline panel in depth when we create state-to-state transitions.
The Flash Catalyst graphical user interface has two workspaces: Design and Code. The Design workspace shows a graphical representation within your project. This workspace includes the panels and tools used by creating and editing projects. The Code workspace shows the actual application code. This code is generated automatically as you operate in Flash Catalyst. Viewing the MXML code gives designers the chance to understand how the application form is programmed. The Code workspace is read-only. To edit the code, open the project in Adobe Flash Builder 4.5.
Figure 5. The Flash Catalyst interface featuring the Timelines and Layers panels.
States: This area has only one State right now see Figure 5. In the next section you'll be adding states on your project.
HUD: The heads-up display HUD gives simple access to commands related on the item you have selected on canvas. In Figure 8, the tour navigation Graphic is selected. The relevant commands for Graphics are displayed.
Tools panel: The Tools panel includes tools for creating, selecting, and transforming objects, including simple lines, shapes, and text.
Align panel: The new Align panel resembles that within other Adobe design applications for instance Illustrator. It might be found grouped together with the Interactions panel and has align, distribute, distribute spacing, and match size functions.
Timelines panel: The Timelines panel provides controls for creating and editing transitions and action sequences. You can also utilize Timelines panel to manage the playback of video and SWF content, and add sound clips.
Design-time data: After making a data list component, utilize the Design-Time Data panel to master the order for that data images and text to appear inside the data list.
Common Library panel: The Common Library see Figure 6 contains a group of wireframe components which are ready-to-use interactive components which has a simple default appearance. Note that the constituents fall into two categories:
Flex components: Flex Spark components, written to back up Adobe Flex 4.5, might be skinned and used directly by developers when projects are opened in Flash Builder 4.5. Flash Catalyst editable Flex components are identified with pencil icons within the Common Library panel. Skins without pencil icons need to be edited in Flash Builder.
Placeholders: Unlike Flex components, placeholders usually are not Spark components, plus they cannot be skinned in Flash Catalyst. They are intended to be used as mockups or placeholders, which a developer can modify later in Adobe Flash Builder 4.5.
Figure 6. The Common Library panel containing Flex components and Placeholders.
When you build a Flash Catalyst project you are going to usually need to produce more than one style of state for the program. These are called States in Flash Catalyst.
The term state is often used to describe different pages or screens of the web site or application.
It may be employed to describe the various state in components. For example buttons normally have a separate up, down, over and disabled state.
The workflow for having a project requires you initially create individual states inside application. To control navigation between states, user interaction components including buttons may be created from imported artwork. These buttons are then related to destination states.
After the states and buttons are set up, you'll be able to add component interactivity and transitions. Interactivity between states is controlled by user interactions having a component. Clicking some control component, by way of example, could potentially cause the current state to animate completely to another state. With the consumer interaction defined, you'll be able to fine-tune the transitions from a single state to a new. These are called transitions. Options for transitions include fades, resizing, rotation, and movement.
At each phase over the design path you are going to test the navigation, components, and transitions inside your project, and fine-tune as necessary. When finished, it is possible to output an AIR desktop application or maybe a SWF file and look at it around the desktop, or post it into a server. Or you'll be able to share the project using a Flex developer using Flash Builder to include more advanced programming tasks like dynamic content and database integration.
States can be a central concept in Flash Catalyst. You can have a quantity of states that represent various views, or pages, in the application. Users navigate between different states depending about the navigation scheme you design.
In like, states also can exist inside of a component. For example, a control button component may display a state including Up, Over, Down, and Disabled.
In the States panel, select the Duplicate State button located with the bottom on the States panel to incorporate another state for your application.
Double-go through the title region of each state and name them normal and uploadForm to correspond using the two main areas on the project see Figure 7. Note that titles for states cannot have blank spaces.
Figure 7. Rename the duplicate state.
To navigate between states in Flash Catalyst, you ultimately choose it from the State panel. The artboard shows all visible objects within the selected state. You may also view various states of the component by double-click it within the artboard to get in Edit-In-Place
Note: When a component is Edit-In-Place mode, the Layers panel splits into sections. It shows layers for both the project and then for any components you could have open. You can drag objects from your main application layers in the component.
Next, Ill show you tips on how to control the visibility of layers from the States panel.
The control over artwork and components in Flash Catalyst is controlled from from the Layers panel. This functionality provides designers having a straightforward inventory of elements employed in a project. You can organize items into folders and subfolders in line with what makes sense to your project like where or where did they are being used. For example, the many background graphics used on this project are kept from the background folder. As you develop and expand various states inside your project, the Layers panel will allow you to master the visibility and invisibility of one's artwork.
With the standard state selected inside pixdui document, select the eye visibility icons inside Layers panel to produce the relevant layers visible in each state. In Figure 8, the postScreenshotForm layer for your uploadForm state are invisible.
Figure 8. The normal state with uploadForm state invisible.
Click the uploadForm state and after that select postScreenshotForm layerР В РІР‚ВВs visibility icon inside the Layers panel to demonstrate the elements that ought to be visible because of this state Figure 9.
Figure 9. The uploadForm layer selected with normal state made invisible.
Now that you just have created the application form states, you need to produce interactions and transitions totally. In this, you might create one button component for that post a screenshot page for your Pixd application.
It makes no difference which state you've selected, as submit component might be made available across all states after they are made visible from the Layers panel for your state.
Select the graphical item or items which you would like to convert in to the button component. In this case, the graphical elements that define the Post Screenshot button would be the grouped text and blue rectangle see Figure 10.
Figure 10. Select the graphical elements to the button.
In the HUD, select Convert Artwork to Component Button Figure 12.
Figure 12. Select the Button option inside Choose Component menu.
In the Convert Artwork to Button dialog box that opens, you may rename the button to become more descriptive or accept the default setting Figure 13. You could also rename buttons utilizing the Layers panel.
Figure 13. Convert Artwork to Button dialog box.
After the layers have already been converted with a Button component, the HUD will change to demonstrate the button options to the Up, Over, Down, and Disabled states Figure 14.
Figure 14. The HUD with Up, Over, Down, and Disabled button options.
Notice a few constraint handles that appear about the sides on the button. Click once about the top constraint handle. This attaches the component on the top from the application bounds, and helps to ensure that the component will usually appear exactly the same distance from your top.
Click once around the right constraint handle. This attaches the component on the right side on the application bounds, and helps to ensure that the component will usually appear at the identical distance in the right Figure 15. We will discuss constraints further in conjunction with resizable layouts in a very later section.
Figure 15. Setting the very best and right side constraint handles.
This button component comes with an up, over, down and disabled state. You can choose each state and edit the appear and feel to reflect the behavior from the button. For example the down state have a bright blue background, whereas the disabled state will have a gray background. Select the button and from the HUD, click any with the button states that you just want to redesign.
You are actually editing the button component in Edit-in-Place and must set the label for your button. In the Layers panel, expand the post screenshot group and simply select the Р В РІР‚ВВPost ScreenshotР†text layer see Figure 16.
In the HUD go through the to Convert Artwork to Button Part Label button see Figure 16 to assign a label on the button.
Figure 16. Converting artwork to button label
As you design your up, over, down and disabled state, it is possible to turn layers off and on in each state by clicking the visibility icon the Layers panel.
You can also utilize the Tools panel or import artwork to include specific graphical elements that could not have already been designed as part of your original Illustrator file Figure 17.
Figure 17. Adding graphical elements towards the Over state of the button.
Remember that any changes made towards the Up, Over, Down, and Disabled state can look in all instances in this button component mainly because it is reused.
Figure 18. Artwork inside layers renamed to reflect the states with the navigation button.
Now which the button section navigate to your Post Screenshot state is created you'll need to build a new button to return for the Home state. Return to your top level of your respective project by clicking pixdui for the breadcrumb navigation below the states panel see Figure 19.
Figure 19. Navigate towards the top level of one's project file.
Click for the uploadForm page from the States panel.
Figure 20. The upload Form state.
Select the Post graphical item to convert into your button component.
Repeat Steps 2 to 13 in this section to convert this artwork into a button component, skin the component states and rename the layers.
After the Buttons are completed, you need to make the interactions that may tell the approval what to do any time a user clicks some control.
Select the Post Screenshot button. If closed, double-go through the Interactions tab to open up. In the Interactions panel, select the Add Interaction and then choose the following parameters see Figure 21:
Choose the big event that triggers the interaction, including On Click.
Choose the respond to that event, for example Play Transition to State.
Choose the state of hawaii where that interaction occurs, for instance in the Application
And choose the state you would like the button to navigate to inside your application, including the uploadForm state.
Figure 21. Select On Click and site state options.
Navigate on the uploadForm state and repeat Step 1 to the Post button so which the button returns users towards the normal state.
Now which you have enabled interaction and navigation inside the project, you may preview the results inside a web browser.
Select File Run Project see Figure 22. Flash Catalyst will open your default browser and play any project.
Figure 22. Select Run Project in the File menu.
Click the navigation buttons to find out that they are clicking through towards the correct states see Figure 23.
Figure 23. Preview and test out your Flash Catalyst project within the browser.
In this, you create animations or transitions between states. Begin by ensuring that the Timelines panel is open within the lower area of your respective screen see Figure 24. If closed, double-select the Timelines tab to spread out
Figure 24. Flash Catalyst interface with Timelines Panel open.
To the left with the Timelines panel, a list on the State Transitions is displayed for those states. On the proper, the timeline for that selected State Transition is obtainable. In the timeline, you'll be able to create transition actions fade, scale, move, resize, rotate between two states and specify how items should animate out and in. State Transitions can also be added within components. For example, you really should fade in text for the Button component in the Over or Down state.
In the lower bar from the Timelines panel, click on the arrow next for the Smooth Transition button. This will open the Smooth Transition Options. Here it is possible to set the Duration with the transition, the Timing, and whether you want to overwrite any existing transitions after you press the Smooth Transitions button see Figure 25.
Set the Duration to 0.75 sec.
Set the Timing to Smart Smoothing.
Check the possibility to Overwrite existing effects.
Figure 25. Specify the transition options.
The new Fade In transition choices applied from the timeline involving the Normal and uploadForm states Figure 26.
Figure 26. Smooth state transition applied between states.
In the Timelines panel, find the next State Transition inside list you want to utilize a transition to, on this case the uploadForm Normal transition.
Click the Smooth Transition button and note the transition created within the timeline.
You can customize and add several effect for the same objects to produce more advance transitions by picking out the transition then clicking the Add Action button picking an action or effect through the pop-up menu Figure 27. For example, a thing can fade in, rotate in 3D, and play an audio effect at the identical time.
Figure 27. Adding advanced transitions.
Test the effects on the transitions by previewing the project within a web browser by selecting File Run Project.
In a previous section, you constrained the Post Screenshot button towards the top and right side from the layout. In this, you may set constraints for other graphic elements with your application to build a liquid layout. A liquid layout will resize to suit different screen sizes or even in response for your user resizing her or his browser. Components contained inside the application is usually set to resize dynamically as the application form resizes.
Objects and components within the artboard display with small circles, called constraint handles, on all of their four sides. You can use constraint handles to manage how the constituents and elements as part of your application will behave if the browser window is adjusted, or when the approval is displayed on different-sized screens.
To set a credit application to resize, either:
Select the Resizable checkbox from the New Project dialog box.
Choose Modify Artboard and choose the Resizable checkbox Figure 28.
Figure 28. The Resizable option from the Artboard settings dialog box.
Flash Catalyst CS5.5 comes with a resize handle in the bottom right corner in the artboard Figure 29 that you just can use to temporarily affect the size in the artboard and preview how your application will resize based around the constraints you define. In this way, you donР В РІР‚ВВt need to compile and test content inside a browser for making sure your constraints are set up correctly.
Figure 29. The resize handle inside the artboard.
Drag about the resize handle to temporarily adjust the size in the artboard. Notice the way the elements inside application stay in place. When you release the mouse, the artboard returns to its original target size.
Using the Selection tool, simply select the welcome message group that appears within the top navigation bar from the artboard. Notice some circular constraint handles that appear about the sides with the group Figure 30.
Figure 30. Constraint handles with the welcome message group.
Click once around the top constraint handle. This attaches the component for the top in the application bounds, and means that the component will forever appear exactly the same distance in the top.
Click once about the right constraint handle. This attaches the component for the right side from the application bounds, and makes sure that the component will appear at exactly the same distance on the right Figure 31.
Figure 31. Constraints set to top and right to the welcome message group.
Drag within the resize handle to temporarily adjust the size with the artboard. Notice what sort of welcome message group sticks towards the upper and right sides in the artboard.
Click for the gridView list object, which appears inside center on the artboard.
Click the most notable constraint handle for that gridView list mind attach it towards the top on the artboard.
Right-click Control-click which has a one-button mouse on Mac OS the left constraint handle, and after that choose Center through the context menu. This sets constraints on both the best and left sides on the component, which display with squiggly lines Figure 32. The constraint means that the component will forever appear centered inside the browser window.
Figure 32. Centered component constraints display with squiggly lines.
Repeat the very center constraints for that gridView delete me mind keep it centered from the browser window using the gridView list object object.
Note: the delete me object is simply mock up, data list placeholder and really should be removed once design-time information is included. For more information about how you can build a data list, look into Andrew Shortens tutorial Building a data-centric application using Flash Catalyst CS5 and Flash Builder 4.
Drag for the resize handle to temporarily adjust the size with the artboard. Notice how a gridView objects still adjust their placement from the artboard.
You are now wanting to publish the project.
Select File Publish to SWF/AIR and after that choose a location where you would love the files saved see Figure 33. Flash Catalyst can provide an output folder with two versions of one's project:
One folder, entitled deploy-to-web, will probably be suitable for posting to some web server.
Another folder, run-local, permits you to test the build locally.
If the Build Air application options selected, another folder is going to be created with an AIR a credit application that might be installed for a desktop.
Figure 33. Flash Catalyst project output folders.
This tutorial offers a brief introduction on how you can create interactive content or prototypes with Flash Catalyst. Although simple, the tutorial and sample project demonstrates the essential workflow and key concepts you'll need to get going. In addition to your workflow and core concepts, be sure you maintain a clear folder and subfolder structure as part of your Layers panel. Keeping organized will assist you to easily modify artwork because you move between states and add components and transitions. It will also have the process of extending any project in Flash Builder, much easier with the developer.
The completed Pixd Flash Catalyst FXP file is roofed to help you dig deeper to understand tips on how to construct data-centric application using Flash Catalyst CS5.5.
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Transform static artwork into interactive Flash-based content without writing code.
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Flash Catalyst CS5.5 Essential Training
Transform static artwork stated in Illustrator and Photoshop into interactive Flash-based microsites and applications, all without writing code. Author Mordy Golding covers making a functioning wireframe, importing and editing artwork, triggering state changes using interactions, and publishing a last project with Flash Catalyst. It also includes tutorials on integrating rich media right into a site and designing data lists for repeating elements.
Exploring latest features in Flash Catalyst CS5.5
Hello! My name is Mordy Golding, and this is Flash Catalyst CS5.5 Essential Training. In this title, I will provide you with how it is possible to build functional interactive wireframes for Flex-based applications and transform your existing artwork from Photoshop, Illustrator, or Fireworks, into user interfaces and prototypes. I will show you the best way to create components, the cornerstone of just about any Flash Catalyst project, approaches to easily define animation with smooth and graceful motion for getting professional results.
I will require you comprehensive through the technique of integrating rich media, like video and sound, and building common interface elements, including data lists, which might be scrolling lists of repeating items. You will see how you can create resizable applications that adjust themselves to suit various size screens, and you may see tips on how to roundtrip files which has a developer to feature even more complex functionality. Whether you happen to be a user experience designer, a web designer, or perhaps a print designer without experience in interaction design, I can help you start without having to write an individual line of ActionScript or computer code.
So lets start with Flash Catalyst CS5.5 Essential Training. I cant wait to provide you with how easy it truly is.
Find answers to your most faqs about Flash Catalyst CS5.5 Essential Training.
Q: Im having problems interacting with placeholders in Flash Catalyst CS5.5 within the Mac OS X Lion and also have noticed other quirks inside software. Is there an update I can run for OS X or Flash Catalyst?
A: Adobe says that there are compatibility issues between Mac OS X Lion and Flash Catalyst. Parts on the application fail as expected and Adobe hasn't committed to fixing these problems at this time. Run the program update regularly in the event that there is really a fix released.
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Following our popular post last week together with the direct download links for the official trials of CS4 and CS3 for individuals who need them, by reader request we're also doing exactly the same for all CS5 products here In theory the Akamai Download Manager DLM that Adobe uses is an effective thing, planning to reduce download times and supply a resume capability should of interruption. But despite their utmost efforts, some individuals are still having troubles downloading CS5 using Akamai, and we thought we d offer a complete number of direct download links for those Adobe Creative Suite 5 software Windows and Mac, for immediate easy access and also to assist in these cases
Below is really a table for CS5 trial downloads in main languages. These links go on the authentic and original CS5 files residing on Adobes servers, are guaranteed genuine and won't change. For Windows, each program contains up to two files, plus a 7-Zip file.7z. file is only going to work if your.7z file is additionally fully downloaded and resides inside the same location. For the Mac, its simply a file for each program.
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Some in the most visited resources on this site are definitely the direct download links deliver to most major Adobe products. So continuing within this tradition, here is usually a complete list of direct download links for each of the new Adobe Creative Suite 5.5 software Windows and Mac, for fast easy access plus the ability to use your download manager or download assistant if you might have any difficulty with the information Adobe normally employs and should get the CS5.5 trials without one
We in addition have linked the free CS5.5 Extra Content downloads aka Additional or Functional Content for many available products.
Below is really a table for CS5.5 trial downloads in primary languages. These links go to your authentic and original CS5.5 files residing on Adobes servers, are guaranteed genuine and won't change. For Windows, each program is made up of up to two files, as well as a 7-Zip file.7z. file will undoubtedly work if your.7z file is additionally fully downloaded and resides from the same location. For the Mac, its simply a file for each program.