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The all-in-one editing, 3D VFX software
2015 FXHOME Limited. All rights reserved. FXHOME, PHOTOKEY and HITFILM are trademarks of FXHOME Limited.
2015 FXHOME Limited. All rights reserved
FXHOME and PHOTOKEY are trademarks of FXHOME Limited.
The aggregate score in accordance with the apps rating, amount of users, and a variety of other parameters closely connected to user satisfaction.
The greatest score is 10.
This review relates to version 1.0. The latest version in this software will be reviewed by our informers.
EffectsLab Pro makes cinematic visual effects possible even for low-budget and enthusiast filmmakers.
Amazing camera work can be created with your home computer, EffectsLab Pro as well as your imagination. With an an easy task to learn interface and more than 800 presets for sale in the library, theres not any better method to add magic in your movies.
Lightswords, lens flares lasers
EffectsLab Pro includes the easiest, easiest way for creating classic lightsword fights that are just like the ones the truth is in the movies. Accompanying sci-fi effects incorporate a huge array of lens flares, ideal for creating a second sun from the sky, and also a versatile laser system for anything from blasters to spaceships.
The massively powerful particle engine can make hundreds of effects by itself, from atmospheric smoke and mud to weather including rain and snow or maybe fantasy and superhero powers. Meanwhile the advanced muzzle flash system can generate an infinite range of weapon fire effects, from small pistols to tank and anti-aircraft guns, all fully rotatable in 3D.
EffectsLab Pro receives over 200 effects presets, with array more readily available for free inside online library. You can use and customize existing presets or you could make your own entirely completely from scratch. You can even upload your inventions and share these with the community!
This freehand tool allows shapes being drawn directly on top of the video, with full control of glow attributes and animation. Perfect for light swords, neon lighting, security beams and laser blasts.
The worlds best muzzle flash generator works well with any type of weapon - historical, modern and futuristic. Muzzle flashes may be rotated in 3D, with full treating appearance and behaviour.
The sophisticated particle system can produce thousands of effects, including weather, smoke, fire and fantasy visuals. Precise treating emitter attributes permits endless creativity.
Ideal for both subtle enhancements within your lighting and epic landscape shots, you'll be able to use a preset or make your own while using the built-in designer.
HD resolution support, additional grading filters, improved performance and enhanced effects engines make EffectsLab Pro your best option if you want to take your movies to a higher level.
Version 10.1.0.11 just isn't available yet
Latest available version 1.0
Professional image editor to batch-replace green screen backgrounds easily.
LAN Search Pro is really a free utility for fast file searching across your LAN.
With PhotoKey green screen photography has not been simpler.
XP Pro IIS Admin permits you to create multiple websites on Windows Pro.
2015 FXHOME Limited. All rights reserved.
FXHOME and HITFILM are trademarks of FXHOME Limited.
The all-in-one editing, 3D VFX software
Get started with HitFilm free of charge today!
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I have invariably been a big fan of Adobe After Effects AE, and today with my move over to Final Cut Pro, Im really entering into Motion 2 and Shake 4. A while back, I needed to build some really wild light saber effects for the independent project I was working away at, and I try to remember trying to make this effect in AE nevertheless it never really ended up the way I had hoped you understand, ILM quality for no amounts!, and I remembered that I had seen a software program called alamDV that enabled you to produce light sabers, muzzle flashes, and many other cool effects. Well, alamDV has morphed into EffectsLab by FXhome, and I thought I would consider it with this review.
EffectsLab provides you with four basic packages with all the Pro version. You have a Particle Engine to generate effects for instance rain, smoke, fire and magic style effects, a Muzzle Flash generator, a Neon Light effect to build laser swords dont contact light sabers, or George Lucas might sue!, and lastly, an Optics effect to build Lens Flares and Clashes to your light sabers. All in all, pretty standard fare on an effects package.
Installation of EffectsLab is smooth and straightforward, and must take you not than about 5 minutes to install. One thing that I was extremely impressed with could be the fact that you can cause user presets for any of the particle effects, upload and trade all of them other users across the globe. Great in concept, but I thought it was problematic importing these user settings, which became frustrating. Installation: 7 from 10
Heres where I begin to flash returning to programs like Adobe After Effects and Apples Motion. When you start your project, you will find the option of opening a fresh, blank timeline or you can select a previous project. Once you select New Timeline, you may set up you projects attributes size, FPS, field dominance simply, that is good, or select a preset if you're not sure concerning certain aspects of your respective timeline, which gets that you animating quickly, but beyond this concept, things obtain a bit shaky. I found the program to get very touchy, even just in standard def DV. Im not a large slider form of compositor. I wish to select my attributes by clicking a box and typing various. I constantly found myself re-inputting numbers as this program would double my input. What I mean by that, is when I wanted my number being 2, and I typed 2 with all the keyboard and wasnt checking out the attribute box, it'd constantly devote 22, which becomes really annoying really quick. Secondly, similar to AE and Motion, compositing layers is simple. Simply drag your footage in to the comp window, and stack accordingly. That was easy, but once my footage was at my timeline I found myself getting frustrated seeking to find things, as each and every time I would click about the drop-down arrow to determine attributes around my timeline, it will constantly be moving my attributes top to bottom, plus it became a small pain navigating my way through this. Annoying, however, not work stopping.
One thing I will definitely give the offer credit for will be the fact that to get a 2D program, it is possible to very easily fake 3D space to obtain your particle move toward your camera so that your muzzle flashes provide an even more realistic look. I also liked the fact that programs control window is detailed, and provides access to every possible attribute you may need to give your animation that little extra something.
Keyframing, the midst of any animation, is performed pretty well. I definitely had not been a fan from the look and feel in the interface, but received from an AE background, nobody does their interface like Adobe does, so I wont hold that against Fxhome.
One best part that I think Fxhome does is that they not just allow users to write their presets Darth Mauls Light saber, etc for other users to download and utilize, the masai have a section of their site dedicated to allowing users to upload movies they've made using Fxhome s products. There is no better strategy to get you to definitely buy your program rather than show off exactly who are doing by it. It also gives new directors and compositors a forum to flaunt their work. Bonuses: 8 from 10
One thing thats beginning to drive me a little crazy would be the penny pinching taking place by companies to get one to buy the pro version within the standard version. Dont do not understand, now and again, just like After Effects, the gap between the normal edition along with the pro edition are pretty substantial cost and attribute wise, and will make you settle back and think of maybe going while using standard edition of AE and Shake, instead on the Pro bundle. But why could you make clients choose relating to the standard edition and Pro edition to have an additional 40? In this case, if you are searching at purchasing EffectsLab, just go Pro, and stay away from the headaches of without having things like HD support and other enhanced features of one's particles or laser swords!
Secondly, to quote from Fxhome s website, Users of FXhome s Lite and Pro backpacks are required to credit FXhome on all productions. We feel this can be a more than fair trade-off for lower software prices. VisionLab Studio features a commercial license so an FXhome credit is just not required. However, VisionLab Studio users will still be welcome to accomplish that if they wish !
Give me a break! In my opinion, you have to obtain some nerve to demand your companys name inside the credits of someones show. What happened for the days where companies released good products for less expensive costs to sell a spead boat load of these? I believe that word of mouth would be the best approach to get name out there. If you make a great product, men and women find out about it from discussion forums, blogs and articles including this one. To be perfectly honest, I found myself shaking my go on this one. Downsides: 2 away from 10
Overall, I thought that Fxhome s EffectsLab Pro was obviously a half decent product. The deal killer in my opinion is this license agreement or handcuffing, as I want to call it for getting me to get the highest edition VisionLab in their software. I hope this doesnt get to be the trend to companies. Imagine how often wed see Adobes name inside the credits of movies and shows as long as they forced us to achieve that.
Kevin P McAuliffe currently is a Senior Video Editor employed in HD post production in Toronto, Canada. He has been within the television niche for 12 years, and spends his days onlining over a Final Cut Pro HD. Kevins hi-def onlining credit list includes concerts for Coldplay, Sarah McLachlan, Barenaked Ladies, Snow Patrol, Sum41, Paul Anka, Il Divo and Pussycat Dolls, to mention a few. Also, Kevin is surely an instructor of Advanced Final Cut Studio 2 for the Toronto Film College. If you have any queries or comments, you are able to drop him a line at
Related Keywords: computer graphics, compositing, visual effects,
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