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MainStage 3 could be the live-performance companion app for Logic Pro X and is also available on the MacAppStore. It transforms your Mac right into a live rig that does the task of a truckload of expensive instruments and hardware, in order to sound studio polished in the live setting.
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Editors note September 20, 2011: Apple has released an essential software update to Final Cut Pro X. Additional features added include support for XML, custom starting time codes, Xsan event and project compatibility, support for media stems/audio channeling, full-screen view toggle for Lion users, and GPU acceleration.
The net profit: Final Cut Pro X is actually a dramatic rewrite of Apples mature and well-developed video-editing software. It borrows some interface aspects of iMovie which will disappoint seasoned professionals, and also it loses many key features which might be simply a total necessity inside professional world, like XML export. On the other hand, those planning to upgrade from iMovie will see a lot more features in Final Cut Pro X, but there are several caveats.
Final Cut Pro Xs bold philosophy of video editing is sure to take some becoming familiar with, however in return, editors are going to be rewarded with blazing performance as well as a future where tapes are as outdated as wax cylinders. For amateur video editors, iMovie continues to be best balance of features, simplicity of use, and price. At this stage, Final Cut Pro X is really a 1.0 creation that still needs some other development. However, Apple has laid the groundwork for versions 2.0 and 3.0 being much more compelling and usable.
Its been several years since Apple last updated its venerable Final Cut Studio 3 suite of applications. FCS 3, because it was known, included Final Cut Pro 7, DVD Studio Pro 4, Motion 4, Soundtrack Pro 3, Color 1.5, and Compressor 3.5. Forces are in work changing the industry of video editing, and in some cases the most hardened video-editing professionals will explain that editing has to evolve.
First, the expense of productions has dropped drastically from the last number of years. An indie film several years ago probably have achieved some notoriety to be shot on the consumer MiniDV camcorder, however these days youll discover the same Canon 5D Mark II which you have at home with a 1 million set.
Second, information technology has gotten a lot quicker, with multithreaded cores and GPUs that may generate lifelike 3D graphics at 120 frames per second at resolutions double that regarding even 1080p video.
Now, suppose the frustrations that editors feel when running Final Cut Pro using a Mac Pro with 16GB of RAM and eight cores, to discover that FCP could only address 4GB of memory and simply a few operations and codecs support any multithreaded operations.
Its not really that Apple hasnt been throwing resources behind Final Cut Pro. However, it will be the same believe that it took Apple six iterations of Mac OS X prior to company finally were able to update the ubiquitous Finder app to 64 bits: rewriting applications is actually difficult. Even iTunes, that will be considered Apples most essential application due to its syncing abilities for the iPod and iOS, is sitting around using 32 bits.
Third, like how blogging gave everyone the cabability to compete with all the likes of major newspapers, magazines, and publishers, YouTube, Vimeo as well as other online video-sharing sites are giving legions of wannabe filmmakers a platform to produce their work and show Hollywood you dont need millions of dollars to make something that millions of people will spot.
Finally, a lot of things can be said about Apple, but one thing which the company truly embraces is change. Ten years ago, Apple transitioned Mac OS 9 with a radically different Mac OS X. The first iteration Mac OS X 10.0 Cheetah was slow and missed basic features like DVD playback and CD burning. In the end, the radical transition to Cheetah laid the foundation with the wonderfully featured and faster Mac OS X Panther, Tiger, Leopard, Snow Leopard, and soon-to-be-released Lion.
With dozens of forces at the office, Apple does the same transition with Final Cut Pro since it did with Mac OS. Like Cheetah, Final Cut Pro X is missing many features, several of which likely wont ensure it is, nevertheless they lay the groundwork for the next generation of video editing.
Apple surprised the Mac world in the event it announced that Mac OS X Snow Leopard 10.6 wouldnt contain many major extra features, but alternatively was an under-the-hood improvement to your OS X main system. Snow Leopard brought improved performance, enhanced support for 64-bit applications, new tools like Grand Central Dispatch for multicore programming, and also a new programming framework for taking advantage from the massive power of graphics processors called OpenCL.
The original Final Cut Pro took very little benefit from any of those new leaps because doing so was still shackled into a 10-year-old code base and 32-bit Carbon APIs.
In the modern Final Cut Pro X, Apple rewrote the main application on the ground up to finally support 64-bit Cocoa APIs, but also to consider advantage of the electricity of GPUs through programming frameworks like OpenCL and multithreaded operations. The change is clear when you consider the Activity Monitor, which shows a lot more threads. Even better, the native 64-bit code now supports a practically limitless method of getting RAM.
Final Cut Pro X is merely available through the Mac App Store. The previous Final Cut Studio was included with heavy instruction manuals, that are now just help files in FCPX. We appreciate reducing paper waste, but be warned which the digital help files wont offer any images if you don't are connected towards the Internet.
Final Cut Pro X is available using the Mac App Store for any low price of 299. In comparison, the prior Final Cut Studio costs 999, essential it sported Motion, Soundtrack Pro, Compressor, LiveType, Cinema Tools, and Color. Some of those apps have disappeared for good inside the new Final Cut Pro X with just one or two of their functionality integrated into your app.
For an additional 49 apiece, you'll be able to purchase Motion 5 and Compressor 4 as add-on companion apps to Final Cut Pro X. Well dive into these apps somewhat later inside review.
Final Cut Pro X has the distinction to become the first app intended for voluming licensing. Licenses for businesses and schools will likely be available using the Apple Online Store for quantities of 20 or maybe more. Users get a redemption code, they will can use to download the app from your Mac App Store.
Simply downloading isnt as fun the way it sounds. Final Cut Pro X weighs 1.33GB, also it can take hours to download when you have a slow connection. In addition, there's 637.2MB of supplemental content like effects and backgrounds, and that is downloaded through the Mac OS X Software Update feature because its shared between applications. Additionally, Motion 5 weighs about 1.09GB, and Compressor is usually a relatively paltry 261MB. This will cease fun to the eager enthusiast with painstaking DSL line.
Still, its a superior and easier installation method than the first sort Final Cut Studio, which required swapping out DVDs repeatedly on an hour or two.
When first you launch Final Cut Pro X, the earlier Final Cut loading screen is replaced using a new semitransparent load screen that allows you to know here is the 10.0 iteration on the professional software. But what uses that is nothing beats the 10 previous versions of Final Cut.
Youll first notice a prominent substitute for Import iMovie Events right across the Import Files and Import From Camera options. If youre wondering as we skipped a pace, youre wrong. According to Final Cut Pro Xs help file, you dont make a project first. Instead, you import media and manage your media first. You can, however, develop a project first and import later. But it just demonstrates you how much Apple believes that data-based video workflows include the future of post-production.
FCPXs new interface borrows some style components from iMovie, that can really have many editors scratching their head. But first, multiple windows have largely disappeared.
Instead of windows, such as previous versions, supermarket get panels. The panels have default positions, however they can fortunately be resized.
For by far the most part, the panel locations are often where you desire them being, but we might have preferred more customization options. Users can specify the Viewer or Events panels to reside on secondary monitors, nonetheless its still no match for arranging windows to whatever assembling your garden shed or personal preferences are.
The biggest change would be the new Viewer. Previous users of Final Cut Pro will wonder what happened towards the Viewer and Canvas windows.
They happen to be combined right into a single panel referred to as the Viewer. In previous versions of Final Cut Pro, the Viewer loaded clips to edit or it let users manipulate the properties of any clip. The Canvas traditionally showed the existing frame with the playhead inside the Timeline. Final Cut Pro X now combines the two viewer and canvas into one panel simply referred to as the Viewer.
Simpler is more preferable though, right? Actually, wasn't so sure.
Final Cut Pro 7 used the decades-old convention of Source and Record editing which Apple, obviously, needed to refer differently as being the Viewer and Canvas. It traces back for the day of linear editing, any time a producer or editor would stock up one clip from the video deck, mark first and stop, after which record on to some second tape.
Old the way it might be, the source/record convention is blazingly fast. Watching a specialist editor is much like watching a pianist. Loading clips, scrubbing through to get the perfect clip, marking an in point as well as an out point, then laying around the timeline may very well be accomplished without touching the mouse whatsoever. For Apple, its an impact of philosophy.
Starting a fresh project feels somewhat strange as the program does little to go into detail new concepts like Events. Events are Apples new technique of describing media libraries. An event has the actual media files of your respective project, in addition to metadata information.
When you develop a new project, there won't be any options like resolution or codec before you select custom. By default, the app will choose a resolution and frame rate based on the primary clip you employ.
You can come up custom options, that can support most in the standard resolutions: 1080i, 1080p, 720p, NTSC, PAL, 2K, and 4K. The Other options curiously do not enable you to set custom resolutions. Instead, youre restricted to 640x480 pixels and 960x540 pixels. Apple says that you may use Compressor to scale and resize your videos.
Frame rates are also restricted to standard NTSC, PAL, and film rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 frames per second. Again, when you have to work inside a nonstandard frame rate, youre in a hopeless situation. As a sign in the future of where Apple wants to consider video editing, FCPX supports 4K resolutions at 60 progressive frames per second.
Additionally, you'll find options for car stereo rendering, which default to Surround Sound at 48KHz, and variable bit rate ProRes 422. ProRes 422 HQ, ProRes 4444, and Uncompressed 10-bit may also be available as options, if you will need those extra components of color information or editing having an alpha channel. However, for the majority of editors, ProRes 422 gives a good balance between speed and drive space.
Perhaps essentially the most unsettling behavior up to now is that Final Cut Pro X doesnt help you specify where you would like to save assembling your shed file inside New Project dialog box. By default, FCPX creates new projects inside the root directory of whatever drive you've selected from the Project Library.
This is tremendously frustrating. Being in a position to specify an establishment for project files is very important. For example, its common to have an editor to routinely save projects in network drives and organize by folders and subfolders.
Render files are saved within the same folder because the project files. Render files are essentially media files that FCP uses to save lots of rendered work, like effects. So if you live diligent enough to build a new project over a separate harddrive, your render files must live from the same folder.
For Apple, its again a positive change of philosophy. Users lose some granularity when scouting for a scratch disk, but they also get the benefit for having 1 folder they will move around, full of their projects rendered media.
Final Cut Pro X has support for natively importing AVC-Intra, AVCHD including AVCCAM, AVCHD Lite, and NXCAM, all standard versions of DV including DVCAM, DVCPRO, DVCPRO50, and DVCPRO HD, H.264, HDV, iFrame, Motion JPEG, MPEG IMX D-10, and standard XDCAM HD/EX/HD422. Additionally, this program can import codecs sustained by QuickTime.
Gone include the Log Capture and Log Transfer options. Instead, we only get choices for importing media files and importing files at a camera. The new Final Cut Pro X really embraces a file-based workflow.
The closest option might be the Import From Camera. This is not a similar as Log Transfer. Its form of an attempt at combing capture from tape and capture from memory sources. The new import interface does support FireWire and will read mounted memory cards, along with control playback options with all the classic JKL rewind-pause-play keys.
It doesnt support importing certain kinds of files. For XDCAM users, Apple recommends installing Sonys own transfer and transcoding utility. HDV remains to be supported, but oddly only over tape on FireWire. Youll must wait for HDV import from MXF files. Nor does FCPX secure the ultrahigh-quality RED RAW natively. For now, it is possible to either create your RED camera to record QuickTime movie files, which FCPX can import natively, or you'll be able to use REDs own free conversion program to convert into Apples native ProRes format. Apple says it can be working with manufacturers like Sony and Red to build plug-ins which will allow FCPX being a one-stop-shop for importing video.
Final Cut Pro X comes with a Supported Cameras page, however it isnt providing wed like, nor could it be completely current. For example, importing P2 footage in to the new FCPX is achievable, nonetheless it is not included inside the Support Cameras page. Also, it is also not entirely obvious that some formats like P2 have for being imported from the Import From Camera option rather than the Import Files option.
On the intense side, at the very least it natively sports ths iPhone 3GS, iPhone 4, iPad 2, and iPod Touch.
If you are actually experiencing compatible files or footage to import into Final Cut Pro X, there are a few great new options that offer you a taste of the items Apple has been taking care of these last four years of developing FCPX.
You can build a new event, or it is possible to add to an active event. Fortunately, you are able to select which drive youd love to import your footage to using this dialog box. By default, Final Cut Pro X will copy over your media files and automatically organize the footage to suit your needs using Content Auto-Analysis.
Content Auto-Analysis might just be one from the coolest additional features of Final Cut Pro X. Not only do you receive the standard metadata that FCPX would collect like frame rate, codec, resolution, and much more, nonetheless it also borrows some technology from iPhoto and iMovie to automatically detect people within the shot in addition to shot size.
Additionally, Content Auto-Analysis analyzes footage for color balance, audio problems, shaky footage, and also the notorious rolling shutter distortion that develops with many CMOS-based cameras when panning. FCPX may also transcode supported footage the way it imports into native ProRes together with create small proxy media files, when you are working with a low-power machine. Other smart features include to be able to intelligently group mono or stereo audio channels and take silent audio channels.
The Events Library organizes your media inside a tree using the main branches being the tough drives linked to your system. But besides any drives are going to be recognized in FCPX; Apple says spinning disks, therefore you wont see USB drives. As far as we realize, neither will Xsan, NFS, AFP, or SMB-mounted volumes appear within the Event Library.
There are lots of things inside the above sentence that may make a couple of people unhappy, but fortunately, you are able to import footage into the local Event Library without needing to copy over gigabytes of knowledge. Final Cut Pro X can create links in your remote media. Just be sure to deselect the copy files to FCPXs events folder, otherwise the media will likely be copied to whatever drive you could have set up for the events.
Within the Event Library could be the Event Browser, this also is where much from the magic from the new Final Cut Pro X lives. Previous versions of Final Cut Pro X had fairly limited metadata abilities. You could comment and mark a clip like a good or bad take, but the newest FCPX brings metadata to the world of Google.
When importing footage, Smart Collections will automatically build a number of premade groups based on such things as whether the shot is usually a wide, medium, or close-up. It will also detect people and group them together.
The power in the new metadata engine derives from its extensibility. Users may now create their particular keyword tags, and in some cases tag-specific parts of clips using custom keywords. All this tagging and metadata becomes incredibly powerful once you realize that Final Cut Pro X adds search capabilities.
For example, a person can tag every one of the footage of the interviewee, after which perform a search query trying to find medium-only shots with the interviewee. Loggers and assistant editors are going to be much happier. Apple also says the metadata engine will probably be extensible via third-party plug-ins, thus it wont be too far on the day we see plug-ins that transcribe and auto-sync transcripts to video.
Finally, the Event Browser in Final Cut Pro X eliminates the Media Manager in Final Cut Pro 7, now within your Events Library, you may create lightweight proxy versions to consider on the road using a laptop.
One project, one timeline
As you see the quirks from the new interface, something that might cease so obvious is that there may be exactly one timeline or sequence to every single project.
That might sound natural for amateur video editors, but its a significant change for professionals. Editors routinely duplicate sequences inside same project, so that for those who have to go back to your previous version because the modern sequence just didnt workout, its immediately. For now, Apple says that if you need to develop a snapshot from the current sequence, you'll be able to use the Duplicate feature inside the menu bar, which creates a fresh copy of your respective current project. Fortunately, projects are often viewable from your Project Library.
While many are going to be upset that projects are only able to contain just one timeline, Apple has really rethought the previous track-based timelines, and inside process created some innovations that could make the absence of multiple timelines more palatable.
Final Cut Pro Xs most touted feature has got being the new Magnetic Timeline and each of the features that build off it. Tracks have disappeared, and instead we have now what Apple calls lanes. Because in this, our absolute favorite tool, the Track tool, has disappeared, since you dont need it anymore.
Like lanes of traffic, clips automatically make room first another whenever you move them for the timeline, which means you never ought to worry about accidentally overwriting a tabs on audio or video. Its magnetic because clips automatically ripple take away the gap between clips or move out with the way to generate room for brand new clips.
New and amateur video editors will enjoy the Magnetic Timeline, nevertheless it is going to try taking a little time and exercise before you see many professional editors embracing it. Most professional editors wont be honest, but perform spend a long time making room for clips we would like to insert, closing up gaps and keeping my way through sync. Admittedly, we discover ourselves itching to press the T key with the Track tool to generate some space inside the timeline.
Without source and record windows, Apples replacement for that classic Trim Mode is referred to as the Inline Precision Editor. By just double-clicking for the border where two clips meet, the Inline Precision Editor will expand the clips to show the many footage available within the outgoing and incoming clips.
As many gripes when we might have while using loss of separate Viewer and Canvas windows, the Inline Precision Editor is really a much better take a look at footage than Trim Mode. You can easily see how a lot more footage you've left in each clip. Once you've extended or decreased the choices, the timeline ripples every one of the changes from the sequence, keeping my way through sync.
Built on top on the Magnetic Timeline would be the new Clip Connections feature. In previous Final Cut Pro apps, you would ought to tediously separate out your clips at a sequence before moving them around. Now, with Clip Connections, you are able to have multiple components of video, title and audio move around around the time line and remain perfectly in sync.
Building in addition to Clip Connections and also the Magnetic Timeline are Compound Clips.
In large projects, once youve finished an intricate scene or segment, you may now group every one of the audio, title, and films together to act like a single massive clip. Its a little like nested sequences, but less of a challenge to use. Effects might be applied as being a whole onto Compound Clips, and video may even be retimed as you giant clip. All the while, they remain perfectly in sync. Apple says editors wont have to build multiple sequences per scene, but may use compound clips instead.
Often, an editor are going to be the only one who has seen the many footage, and also by the time directors and producers join edit sessions, an editor may have likely laid out of the core elements and structure of any video piece.
Inevitably, though, the producer or director will wish to see alternate takes. And pulling apart a sequence to slip in the alternate clip is a significant headache.
Auditioning will alleviate most of that pain. Editors can check out alternate takes simply by marking an in along with an out on alternate clips, drag them to the existing clip about the timeline, and select Add to Audition. As you check out alternate takes, the Magnetic Timeline will surely ripple around, treatment of gap or making room for clips of assorted lengths.
Because virtually any part with the Final Cut Pro X application is unique from its predecessor, it likely isnt a surprise to several that your old 32-bit Final Cut Pro 7 plug-ins wont work using the new FCPX. Thats not to state that Apple is giving up around the third-party plug-in community. In fact, its relying upon it heavily to complete some missing features.
Final Cut Pro X comes complete that has a new plug-in architecture that may be 64-bit in the start, called FxPlug 2. Developers can access the total specification, on Apples Developer Web site, and its particular been rearchitectured to consider advantage with the new high-performance, multithreaded, floating-point rendering engine.
The work that Apple has put in to the new rendering engine really shows. Effects could be applied in real time and require hardly any rendering. You may see some resolution drops plus a few frames here or there, however in our tests it stayed near real-time performance.
Applying effects has never so much easier. Instead of dragging and dropping effects and going for a coffee break to watch for it to render, you may simply press play from the timeline and experiment with different effects and appears in real time by hovering within the effect inside the Effects Browser.
There generally is a lot for getting used to when it pertains to the changes on the user interface and missing features, but one area where the modern Final Cut Pro X deserves universal praise is performance.
In fact, when Apple product marketing managers first demoed FCPX to us, they did not utilize a top-of-the-line, tricked-out Mac Pro. Instead, they used a non-SSD 27-inch iMac, the identical computer that lots of Mac desktop users have. All the while, we had arrived applying real-time effects and color corrections to untranscoded, 1080p H.264 dSLR footage. In contrast, previous versions of Final Cut would force you to render dSLR footage in a very codec like ProRes or DVCPRO HD.
While the last versions of Final Cut Pro set to their maximum at 4GB of usable RAM, Apple says users should expect you'll see a dramatic performance improve the more RAM you throw at FCPX. Final Cut Pro X uses Grand Central Dispatch to harness the many computing power inside new multicore CPUs and in many cases supports Intels new AVX instruction set extensions within the newly released Sandy Bridge processors.
Final Cut Pro X also requires an OpenCL-compatible graphics card. Be careful, though, and dont believe every Mac that Apple has released from the last number of years is OpenCL-capable. At CNET, we were forced to switch out our dual-quad-core Mac Pros standard ATI Radeon HD 2600 card to get a ATI Radeon HD 3870, as the former didnt meet Apples OpenCL requirements.
Part of Final Cut Pro Xs new performance increase originates from background processing. While youre pondering the next edit, FCPX makes use of those down cycles to execute a volume of different tasks including transcoding, content auto-analysis for stabilize shaky footage, or removing background noise from audio. Final Cut Pro X even features a Background Task window, which demonstrates to you exactly what FCPX is doing and in many cases offers some manual controls like pausing or canceling an identification process.
The new Final Cut Pro X is without a doubt much faster than its predecessor, nonetheless it still maintains high image quality throughout its rendering engine. The new rendering engine is floating-point based and utilizes a much wider color space, meaning you may blow your highlights in a effect and provide back detail in the image with another effect. All the while, FCPX maintains accurate color profiles using ColorSync, therefore you wont have fret an excessive amount of about the differences between ITU 709 HD colors and NTSC Never Twice Same Color.
Unfortunately, all of that exceptional color management travels to waste because as of at the moment, Final Cut Pro X doesnt support monitoring on professional broadcast monitors. Apple does say that it truly is working closely with partners like AJA and Black Magic Design show them Thunderbolt- and PCIe-based accessories that will enable FCPX to both capture footage from another source just like a tape deck and output via industry-standard HD-SDI ports. Still, its a serious disappointment that for the present time, Final Cut Pro X users will need to trust their computer monitors and know that in all probability it wont look the identical once it hits a true television set or gets projected in a very screening room.
Many video professionals are actually wondering for many years when Motion would step up into your big leagues of compositing after it shuttered its Academy Award-winning Shake compositing program. While the modern Motion 5 inherits Final Cut Pro Xs change and high-quality rendering engine, it's not Shake for mere mortals. And Apple says it is just not intended to get.
Motion graphics designers can now setup Smart Motion Templates with editable parameters which could be rigged together. For example, a motion graphics artist gives motion graphic titles several variations with some other colors and font sizes that actually work together. Editors can adjust these rigs with simple sliders, pop-up menus, or check boxes.
Motion 5s new Smart Motion Templates are more intelligent than their predecessor. Artists can define intro animations and out animations, but leave a flexible type of title body to suit the correct timing from the middle. The days of slicing motion graphics and fading between two to supply a title which simply wasnt of sufficient length to cover an edit have ended.
The very useful improvement to Final Cut Pro X motion graphics is that you'll be able to now edit the link right within the Viewer panel. No more checking a titles controls inside the Viewer, changing a little of text, and clicking somewhere else around the timeline on your text to update.
Finally, Final Cut Pro X also has an new Apple-made chroma keyer. Primatte is gone in the package, but Apple says which the new chroma keyer is more preferable than ever. It utilizes exactly the same 64-bit high-quality rendering engine, and our limited testing shows it for being at least on par with Motion 4s Primatte keyer.
The other companion app from the Final Cut Pro X suite is Compressor 4. For essentially the most part, it seems a lot like its previous incarnations, but Apple has cleaned up some in the interface, mostly through getting rid of all of the extra Compressor presets that a majority of people only ever used inside a blue moon.
Many Final Cut Pro X users may never use Motion 5, however its far more likely how they would use Compressor 4. Considering Final Cut Pro X lost support for laying off video to tape, its all the more important that editors possess a compression tool like Compressor 4 to upload files to YouTube, Vimeo, FTP, or whatever future platform, though admittedly FCPX builds some upload functions right into your menu bar.
Other improvements to Compressor include support for Apples new HTTP live-streaming standard. The moniker can be a bit misleading, however. Compressor 4 isn't going to gain the cabability to encode live video streams. HTTP live streaming remains to be file-based, however it does help it become a lot simpler to generate multi-bit-rate H.264 videos, and also the accompanying.M3U playlist. HTML5 video the H.264 variety is usually a whole lot easier now with each of the files located in the single folder, and it also includes an HTML5 JavaScript-based video player.
Finally, Compressor 4 incorporates Apples Qmaster rendering engine into your application itself rather than to be a separate background application or installation. Users are now able to designate encoding nodes inside the application for taking advantage of unused CPU cores or machines on the network. You will, however, should install Compressor 4 on other machines in your network for taking advantage from the distributed encoding.
Say goodbye to DVD Studio Pro, Color, and Soundtrack Pro
Well begin with DVD Studio Pro. Its not ever coming back. Apple sees iTunes since the future style of media distribution, if youve been following your development of Final Cut Studio, youll be aware that DVD Studio Pro hasnt really changed in many than 5yrs. Final Cut Pro X does include the opportunity to burn DVDs in the application, but dont kid yourself. It is nowhere close to the facility and customizability of DVD Studio Pro. If you absolutely still need to build DVDs, you try Adobes Encore application.
Color was always the odd-man out within the Final Cut Studio suite. Originally, it absolutely was called FinalTouch and got its start by Silicon Color before company was acquired by Apple. But that it was always obvious which the app wasn't very Apple-like, nor may be the idea of stepping out of your respective video-editing application to execute a color correction.
The new Final Cut Pro X incorporates most from the basic highlights of Color without ever being forced to leave the appliance. Color correction has stopped being a special effect, nevertheless its built into every clip you lay about the timeline. By just tabbing over, youll be able to produce global color corrections within FCPX, in addition to additional secondaries. The color board does take somewhat of acclamating yourself with, and lots of users will miss Final Cut Pros iconic three-way color corrector. In return, however, they'll get features like masking and in some cases selective keying for making fine adjustments.
Its less powerful as Color. You wont be capable of track faces or moving elements on-screen. For that, Apple recommends using Motion 5s built-in trackers and color correction engine.
Finally, we obtain to Soundtrack Pro. Fortunately, Final Cut Pro X upgrades much on the audio-editing tools. For instance, sound are now able to be edited to precision levels. One reason you needed apps like Soundtrack was because Final Cut Pro audio tools still lived within a world where frames are king. Editors all over the world know the pain and frustration when attemping to remove that half-frame long pop or click. As a part of Final Cut Pro Xs massive rewrite, the business also included support for 64-bit Audio Unit plug-ins. Even better is the fact they support Audio Unit plug-in custom interfaces, so that you dont need to worry about using imprecise sliders to create your adjustments.
Honestly, though, Soundtrack isn't an application we'll miss much; others might disagree. Yes, you can clean up audio, mix multiple tracks, to investigate sound effects, but within the professional world, Soundtrack Pro simply would not compare while using industry-standard Pro Tools, that leads us into possibly the biggest gripe of most.
OMG! Where would be the EDLs, AAFs, OMFs, and XMLs?
If you dont understand what these acronyms mean, youre not really a person who has to upgrade to Final Cut Pro X. Also, if youve look at the early reviews of Final Cut Pro X, then none with the items were planning to say is going to be a surprise. Final Cut Pro X is a whole overhaul of any very mature application. Unfortunately, Apple still did not include some features that arent simply missed, but they are very necessary.
As great as Final Cut Pro Xs new tools are, his or her arent a match for dedicated applications like DaVinci Resolve for color correcting or Pro Tools for audio editing. Virtually, every post production facility for sound uses Pro Tools.
Fortunately, Automattic Duck is filling inside the major void using its Pro Export FCP 5.0 plug-in. With the Pro Export FCP plug-in, users are going to be able to export tracks to Pro Tools at 96KHz, 24-bit quality. Still, its a waste that pro video-editing software doesnt make this happen natively. Its even more of the hit for the gut whenever you also be aware that Pro Export FCP 5.0 doesnt come cheap at 495.
As far as EDLs and AAF export options, you aren't likely to obtain them in future updates to your software. Apple says its priority would be to build XML export, so we expect third-party companies to get XML-to-EDL or XML-to-AAF translating services.
Our last file compatibility gripe: Final Cut Pro X does not secure the import of Final Cut Pro 7 project files. For some editors, this wont be much of a large issue. Its a piece of writing of faith that you just never update your NLE software within the middle of post-production. But there is always a time when you may need to crack open a well used project file to seize a still or rejigger an edit. The official Apple line to date is who's wont be developing FCP7-to-FCPX file conversion tools. The company says that because on the major architecture changes, it could create more problems than it could solve.
Final Cut Pro X 10.0 is an essential, bold step inside a new way ahead for post-production, where tapes are an anachronism plus a single application works with all within your color grading, title effects and sound-editing needs. Its clear through the price and the newest workflow of FCPX that Apple believes that video will probably be even more ubiquitous within the near future.
It wasnt too long ago that writing with the masses meant landing a coveted job at a significant newspaper, even so blogging came around. Now, anybody with barely a modicum connected with an interesting thought can blog, and also the writing can be viewed by millions. Apple believes precisely the same thing with video.
There are three teams of users the new Final Cut Pro X might attract, also to each of them, you can find three different conclusions.
For professionals, it is tough to recommend Final Cut Pro X 10.0 rolling around in its current state being a replacement or upgrade to Final Cut Pro 7, Avid, or no matter the preferred nonlinear editor.
Enlightened editors who envision the afternoon that file-based workflows is going to be the norm still must deal together with the reality that this network still wants an HDCAM SR archive. To be sure, the bean counters wont be happy when an editor asks to exchange a rack of 100, 000 HDCAM SR decks that theyre still paying off on an SD card reader as well as a pair of 100 drives.
The company has recently assured us that it are going to be updating Final Cut Pro X with many much needed features, like XML export and multicam-editing support. Third-party manufacturers like AJA and Black Magic Design will probably be releasing Thunderbolt and PCIe accessories soon that can let editors lay off to tape and professionally monitor on broadcast-quality displays. Automattic Duck has recently released a device to export FCPX sequences to OMF.
Apple has now said the company will likely be moving into a more rapid release schedule, however it would 't be a surprise to view an update to FCPX inside next several months instead from the next 2 yrs. Meanwhile, Apple says your overall Final Cut Pro 7 setup still works. It would also 't be a surprise if Apple makes Final Cut Studio still readily available for purchase again inside interim.
For amateur video editors, Final Cut Pro X is just not iMovie Pro. Its iMovie way an excessive amount. Clip connection might be amazing every time a producer would like to see the scene moved around, however its too much for amateurs, who just would like to edit out your part where they forgot to seal off the cam corder. The latest version of iMovie can be a fine video-editing program, and it includes a whole suite of programs like iPhoto that video-making newbies will quickly realize immensely more useful. Still, when you willing to spend the cash to sample pro features and havent used the app for several years like professionals, you might chose the new technique of doing things more palatable.
In short, with the portion with the post-production world that keeps an open mind and is particularly comfortable together with the lack of tape, XML, and Pro Tools support, Final Cut Pro X will probably be worth your consideration. Still, we cant help but believe that sticking with Final Cut Studio 3 or waiting a number of months for Final Cut Pro X 10.1 makes life any amount easier within the blades edge.
Editors note: Wilson G. Tang is often a CNET and CBS producer, who's directed, shot and edited award-winning pieces. He hosts a day-to-day technology and culture show on CNET called The 404. As a video and film professional, he's got had almost several of knowledge about Final Cut Pro and also other nonlinear video-editing software on the day-to-day basis. In addition, they have had extensive experience from the field, using anything from film cameras to new digital cinema cameras that shoot to memory cards.
From Apple: At the heart of Final Cut Pro X could be the Magnetic Timeline, a trackless method of editing your footage that enables you to add and arrange clips wherever you desire them, while other clips instantly slide out in the way. You may use Clip Connections to link primary story clips along with other elements like titles and sound files, so that they stay in perfect sync whenever you move them. You will even combine related story elements to a Compound Clip that could be edited like a single clip. The groundbreaking new Auditions feature permits you to swap between a assortment of clips to instantly compare alternate takes.
Some people like interesting things.
Where to Hard to come up with a thing that hasnt previously been said, so Ill just reiterate. Even together with the update, its still simply not a good product. Still missing a lot products was great around the last FCS, the worst being it cant import old files. Seriously Apple, what have you been thinking with this. As others have said, this should are actually a new FCE. The additional features and interface usually do not overcome what on earth is missing. Used it on another system and won't buy it myself. Sticking with FCS3 for so long as I can. So disappointed in Apple. Worse, CNET keeps asking me to upgrade looking to download it, it doesn't matter how many times I tell it not to ever. STOP ASKING!!!
Lion is kinda terrible too, but ML is fine. Would never upgrade if I didnt need iCloud as MobileMe is ending. If this is an indication of where theyre deciding to look at things, it won't bode well for Apples future.
How the heck am I planning to download this over a Telkom ADSL line in South Africa?
The rest of you'll be able to be the Im sitting tight with FCS3 - professional tools to get a professional job. When Apple is capable of holding me with OMF export, deck control along with industry standards, then/maybe/Ill for the time being, why bother?
Great feel and good speed, bad in case you create footage
You cannot easily use created rather than recorded footage because change needs a re-import and re-edit.
media management is limiting; it is possible to use disk images though.
fun, but I sure could well be ticked if I created a living by it. Note the price will not be great - the final upgrade I got for fcs was 299 which included the many apps as I recall, not simply fcp. I like Motion 5 for one of the most part, type of like that old one using a new ui and faster and slicker - kind of the items I think I was expecting from FCP. Over all, I am making use of it since I am a one-man-band plus the integrated features like color matching are fantastic for me since before this I never bothered to spend some time doing color correction or grading.
This product is usually a Huge Letdown!
64 Bit not important though with so little professional functionality.
Everything that's professional about Final Cut studio is not in this App. The re-written architecture is sensless and seems for being done by a whole non-professional.
If that is Apples breakthrough I will have to consider 2 steps back and learn Avid leave Mac for PC.
Powerful Media Management section that permits you to find, edit and tag your media files, especially useful when you are large projects with various shots. Overall faster and certainly background rendering.
The interface overall requires editors with optimised workflows dependant on previous version to rethink media management and have used into a more iMovie interface. Some 3rd party plugins may well not work.
Highly recommend so it can gain a go without replacing your overall setup. You can run 2 versions in parallel without having a problem. You may want to find out FCPX on smaller and much easier projects first to understand as you go. There can be a learning curve plus some features might even be invisible in a first look. It can be a disruptive approach that I think may benefit the editor about the track. It is worthwhile to get started with this version and obtain into learning information of this version, as I expect that future version will build upon and surely improve other things once we go.
Well Organized GUI, Powerful Video Editing Tools!
the program revolutionized that is a. wouldn't switch
Works great in this little PowerMac G4! Cant believe Apple is giving me HD through firewire support without cost! I can make my movie september withoutfinding extra WOO-HOO!
Digigirl, Id desire a list within your plug-ins, post your problem for the Final Cut Pro support forum.
This review was originally posted on FCPrender plugin that solved the Quicktime 6.4 issues, or will I still must update that plugin?
subject says all of it really - we love to this app and our you apple!
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Beautiful new compressor UI. Drummer plug-in can stand in for any DJ together with a session drummer. Plenty of helpful UI tweaks. Terrific interface welcomes pros and GarageBand users alike. Brilliant iPad integration. No copy protection, unlike lots of its competitors. Amazing value.
More existing instrument and effects plug-ins, especially EXS24, have been in dire need of any UI makeover.
Apple Logic Pro X 10.1 is really a powerful update in an already-excellent digital audio workstation, if you own Logic Pro X, its free. The update seems intended for electronic music producers initially, even so the UI improvements alone are worth the download.
If it isn't broken, dont remedy it just refine it. Apples pro-level audio workstation software gets its initial point release after the dramatic makeover back 2013. The long-awaited Logic Pro X 10.1 contains another round of brilliant innovations which can be worthy of note. Still just 199.99, Logic Pro X 10.1 remains a wonderful value, and other small upgrades throughout allow it to be even easier than before to achieve complete music projects from start to finish. Unless you will need Pro Tools for compatibility for some other studios, or maybe because youre more knowledgeable about it perfectly valid why you should go with Avid Logic Pro remains the most popular mainstream DAW along with a clear Editors Choice.
For this review, I tested Logic Pro X 10.1 on three machines: a 2.2GHz Core i7 MacBook Pro 15-inch With Retina Display Apple loaned to us, running OS X 10.10.1 Yosemite; my MacBook Pro 15-inch 2012, which I upgraded with 16GB RAM as well as an internal SSD; as well as a MacBook Air 2013 using a Core i7 upgrade. I tested this system with both a Focusrite Scarlett 18i8 audio interface every Macs built-in audio, so that as expected, I ran into no problems.
The system requirements havent changed much, although Logic Pro X 10.1 now demands Mavericks 10.9.5 or later. As before, Logic Pro X 10.1 is fully 64-bit; thats less of an problem these days laptop or computer was from the middle of 2013 with regards to third-party plug-in compatibility. Just feed it RAM and it will probably be very happy. It also opens project files dating back Logic 5 though enjoy if youve got any 10-year-old third-party instrument or effects plug-ins in those!
Since Logic Pro X 10.1 is undoubtedly an App Store download, you may install it on any machine youre registered i'll carry on with Apple. It can top 35GB with the full download, but you'll be able to get started with much less because basic install. Theres no hardware or software copy protection, plus your purchase is safely stored within the cloud just in case you ever have to reinstall it. Having no copy protection is novel and awesome from the realm of digital audio workstations, where Avid Pro Tools 11 uses a PACE iLok key, and Steinberg Cubase 7 requires a proprietary eLicenser key. Its great if youre using a MacBook Pro with just two free USB ports and USB hubs arent a response, because a great number of audio devices never to mention other peripherals prohibit using hubs into their user manuals.
Despite its immense power, Logic is often a simple program to begin with recording with, as the main screen normally include everything you will need from start to finish depending on how you populate it, certainly. Basic tracks are easily obtainable in several kinds: audio, for recording live instruments; MIDI, for recording MIDI data from your keyboard, electronic drum set, or another input device; and instrument, which combine the 2 for use with virtual synthesizers and also other plug-in instruments.
The main view doesnt see much improvement in 10.1 aside on the Mixer, which Ill be able to below. Theres no way I could possibly get to all with the UI improvements within this review you will discover hundreds, as detailed in Apples Release Notes. Ill try and hit a few in the highlights, though.
First, a simple recap: The transport is found at the top from the screen and clear of any keyboards, mixing surfaces, or other items you could have sitting at the bottom with the monitor and blocking a part of the view. The Library contains all available media content; its about the left and easily collapsible. The top right portion on the screen is the arrange window, that is where youll do most of your respective composing and editing. Each track inside the arrange window has volume and pan controls.
Below that is usually a multi-mode window which could display the mixer, a piano roll, a score editor, or possibly a sample editor. To the left, a track inspector window shows the mixer channel strip for your individual track, together with tracks output bus whether the master stereo or 5.1 surround bus, or perhaps an aux. The right side arises a variety of windows that go over the tempo and time signature of one's project, and also the current MIDI tracks event list, that when combined with all the piano roll or score editor, makes it an easy task to edit your tracks.
With a whole new Brush Tool, you'll be able to now paint notes with all the cursor within the Piano Roll, which makes it less of a challenge to spray a number of hi-hats across a track, to offer one example. You can collapse any note rows that arent being utilized, which assists a lot when programming drums or repeating instrument parts. New timing handles around the edges of notes allow you to easily compress or expand the timing of your group at precisely the same time.
Drummer was among Logic Pro Xs star features, and yes it gets a large update on this occasion. For the uninitiated, Drummer is definitely an artificially intelligent session player certainly one of 25, in truth, each with various styles, personalities, and drum kits for just a distinctive sound. You can adjust how often of fills, whether theyre with all the toms or hi-hats more within a given section, and in many cases the frequency of ghost notes and whether theyre rushing the beat a la Stewart Copeland or relaxing the groove a la John Bonham. Drummer can follow other tracks for inspiration; for instance, the bass player can set the groove for just a performance, and Drummer will need cues from your bass track to understand where to lock within the kick drum.
Now, though, Drummer may also do electronic music sufficient reason for aplomb. You can dial up any amount of styles and kits, from house and retro to rap and electro pop. Ten new electronic drummers sit alongside 18 other acoustic personalities, and cover dubstep, techno, as well as other styles. These drummers produce awesome-sounding beats, and clear away the need for third-party sample libraries. Meanwhile, the interface changes, when appropriate, to an issue that models a drum machine or Akai MPC-style unit. There are new step sequencing features notably Note Repeat and Spot Erase that will make it an easy task to lay down your personal grooves, and go for that big swells and rises and drops common in dance music.
The companion Drum Machine Designer looks and works differently compared to existing Drum Kit Designer. Between the both of them, youve got 1000s of recorded samples for electronic drums along with acoustic kits. You can swap individual drums and cymbals around, making changes depending about the kit. For example, for acoustic drums, you may adjust the tuning, add or subtract dampening, and adjust the gain and in many cases stereo room mics and leakage. As before, the Producer Kits include excellent-sounding, multi-channel mixes made by legendary engineer Bob Clearmountain detailed with EQ, compression, and other processing and routing and you'll be able to even see all from the settings to master what he did together with the stock Logic plug-ins.
Apple updated Logic Pro Xs built-in sound set with more than 200 new sounds, plus 10 Mellotron instruments for everyone nostalgic for that popular 1970s tape-based sampled string machine. All told, you can find over 1, 800 instrument patches, including 750 sampled instruments, plus 3, 600 downloadable loops. EXS24 continues being the workhorse sampler it continues to be for over several, and gives the core workstation-style sample set, including drum kits and pianos. Logics venerable E-series plug-ins for example ES1, ES2, ES P, the EVP88 electric piano and so forth provide lots of synthesizer and keyboard sounds, although lots of these sound somewhat thin when stacked against todays top plug-ins. The vintage keyboard collection turns into a makeover, which has a much nicer interface, detailed with B3-style drawbars, a vastly configurable Leslie simulator, plus a suitcase-style electric piano.
Retro Synth now allows you to drag any waveform in to the wavetable module; the plug-in will automatically seek out pitched information and transform it in a playable virtual instrument. All on the old Jam Packs remain available as free in-app downloads if you need them. You could also stack up to eight voices now inside Retro Synth and also you thought your Roland JUNO-106s Unison mode sounded thick!
Perhaps the largest news, no less than for this OCD-affected engineer: You can finally organize your own personal plug-ins into folders! Instead of working with clumsy nested menus, you'll be able to set up folders just to the plug-ins you use the many time, and combine third-party plug-ins with all the ones that come constructed into Logic.
Mixing, Effects, and Other New Features
The main console offers large faders, pan and also other track controls, so when many inserts and sends as you'll need. There are actually analog-style VCA faders available. Instrument tracks keep everything neat and tidy, though most sequencers now offer some type of that, in place of messy audio MIDI track combinations. At the top of each channel strip, the built-in console EQ really just arises the EQ plug-in, that provides eight bands, plus configurable Q settings and customizable low-pass and high-pass filters. It offers enough musicality for rounding out of the high-end of the electric bass or shrinking the boom of any loosely tuned kick drum.
Smart Quantize can figure out when you meant to complete a staggered chord, as though simulating a strummed guitar or rolled piano chord, after which quantize around it so as not to ever ruin the sense. You may also write automation to regions, that makes it much simpler to navigate around and arrange assembling your garden shed without destroying recorded fader and knob movements. Speaking of mix automation, you will find new Relative and Trim modes for adjusting existing automation data; you may use them to ride a fader and erase an edit. Theres a brand new Region Gain, that's similar Clip Gain, considered one of my favorite features in Pro Tools. And fades are generated in real time, as opposed to stored as separate audio files along with your project, which greatly simplifies both file management and Flex Pitch edits.
Speaking which, Flex Pitch and Flex Time continue to be there, nevertheless make quick work of tuning vocals and fixing mistakes in recorded sound files; Flex Pitch in particular can be a godsend when you are used to working with the entirely separate app like Melodyne or having to budget first.
Logics effects plug-ins really come alive within the compressor and reverb department. The compressors specifically shine, using Platinum transparent solid state and Opto tube-like modes, which behave differently and gives exactly the type of warmth and crunch youd expect from actual vintage hardware. The good thing: Theres a totally new, scalable to 5K Retina iMac levels paneled interface for each from the modes, including a whole new dBx 160 emulation called Classic VCA. In all, you can find over 4, 500 presets available over the various 80 bundled plug-in effects, plus roughly 1, 000 sampled convolution reverb spaces in Space Designer. Its challenging imagine a mixing situation this equipment cant cover.
One downside: With the exception with the new Compressor, pop up a pre-existing effect or perhaps instrument plug-in, and youll see precisely the same old interface youve seen for any decade full of now positively tiny controls theres a pixel-quadrupled view, although it appears blocky. Its high time Apple underwent and refreshed the cluttered UIs for that entire plug-in lineup, seeing that were all running 1080p or greater displays. EXS24 particularly has needed an update for several years; while its optimized for playing a huge selection of voices concurrently using a modern Mac running inside Logic Pro X, it could make use of a refresh, post-Kontakt 5 and MachFive 3 which, admittedly, cost many dollars each, whereas EXS24 costs nothing with Logic.
If youve got a compatible interface think Apogee, although soon other vendors will interact youll now have the ability to control the interfaces mic inputs as well as other settings straight from within Logic, as opposed to having to move over with a clunky separate application. This didnt assist my Scarlett 18i8, so I couldnt try it, but my fingers are crossed.
If you havent tried it before and have absolutely an iPad, the Logic Remote app turns your tablet in a remote control rather than Logic Pro Xs major functions. For example, it is possible to record tracks with on-screen keyboards, guitar fretboards, or another smart composition tools pulled completely from GarageBand within the iPad. You can make fader moves and control the transport likewise, obviously. But whats most fascinating is how the iPad becomes top end for Logic Pro X, if you would like it for being. You can dictate your entire Logic Pro X-based studio from your couch.
With version 1.2, a fresh Plug-In View helps you to access Logic or third-party AU plug-ins right on the iPad, which is really a huge improvement, along with reorganize or reorder the plug-ins with a given track. You may control an audio interface from this point, assuming its compatible as detailed above, and employ multi-touch gestures to alter Logics EQ on each track. This doesnt feel natural to me especially, but I could see learning on such as this then it will be second nature. Given the length of time ago I first started recording, Im lucky I can work a mouse as an alternative to needing hardware knobs and sliders for everything!
Finally, it is possible to import and export XML for scoring in Final Cut Pro, and in some cases export your job direct to SoundCloud the times of mixing down to your CD, then identifying how to duplicate it, encode it to MP3, input it online, etc. are over. Logic Pro X 10.1 also supports Mail Drop and Air Drop for sharing projects in OS X Yosemite.
With this update, Apple accomplished much of the items it needed to perform to keep Logic Pro at the top in the heap. All told, Logic Pro X 10.1s cons dont really matter. Any quibbles we have together with the program and a few are to get expected, because of the sheer breadth and depth of the Logic Pro offers pale in comparison featuring its incredible value. Add Logic Pro X 10.1, a smaller USB MIDI keyboard, along with a pair of headphones with a MacBook Air or MacBook Pro with an audio interface much like the wonderfully designed and incredibly Logic-friendly Apogee Duet for Mac and iPad, plus some microphones if you're recording live instruments and youve got a transportable music studio that has been simply impossible for this scale less prestigiously a two years ago, aside from using precisely the same software professionals use on the regular basis.
Even so, it'd be silly to state that Logic is clearly superior for the others for many musicians and engineers. All in the major DAWs became so good on the years, and experienced users have their own favorites and provide professional results with them on the regular basis. But I can tell confidently that youre not about to get this degree of power, usability, quality of sound, and customizability somewhere else for 200 bucks.
Once again, Im giving Logic Pro X an incredibly rare five-star rating not because its perfect, as it is not what our five-star rating means, but because its an exceptional software product. If you could have a Mac and havent decided over a proper recording studio program yet, or when you are aching to upgrade from a younger version of Logic or perhaps GarageBand project files where, incidentally, still open seamlessly in Logic, Logic Pro X 10.1 can be a a great bet and our Editors Choice for digital audio workstations. And the most up-to-date update can make it even better.
Jamie Lendino could be the managing editor of, and has now written for as well as the print magazine since 2005. Recently, Jamie ran the customer electronics and mobile teams at PCMag, and before that, he was the Editor In Chief of Smart Device Central, PCMags dedicated smartphone site, because of its entire three-year run from 2006 to 2009. Prior to PCMag, he became a contributing editor for Laptop and His writing also has appeared inside print editions of Popular Science, Electronic Musician, and Sound More
Eighteen months after Logic Pro Xs debut, Apple has unveiled the initial major update to its More
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Please follow this link or search with the PC Magazine app on the iPad or iPhone to acquire your free issue. Offer valid for brand new app downloads.With over 200 additional features and enhancements, the newest Logic Studio delivers everything musicians should write, record, produce, perform with a Mac
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Vintage and modern compressors, delays, reverbs, plus much more-and 20, 000 royalty-free Apple Loops from the many Jam Pack collections
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Apple Pro Training Series: Logic Pro X 10.1: Professional Music Production
6 Month Financing: For a little while, purchase 149 if not more using the Store Card and pay no interest if paid 100 % within six months. Interest will probably be charged on your account in the purchase date in the event the promotional balance will not be paid fully within a few months. Minimum monthly installments required. Subject to credit approval. See complete details and restrictions.
Logic Studio features Logic Pro 9, MainStage 2, Soundtrack Pro 3 as well as a massive number of instruments, effects and audio loops. With over 200 latest features, they have everything musicians ought to write, record, produce and perform. Flex Time allows you to manipulate audio timing and tempo like nothing you've seen prior. Build dream guitar rigs while using new Amp Designer and two with new Playback and Loopback features allow you to take your Mac for the stage. Shape your sound exceeding 80 studio-quality plug-ins and Inspire your music exceeding 1, 000 instruments and 20, 000 Apple Loops.
With over 200 latest features and enhancements, the modern Logic Studio delivers everything musicians have to write, record, produce, and perform over a Mac. The center of Logic Studio is Logic Pro 9, making it easier than ever to make your own compositions. Produce and play nearly any sound imaginable using a huge assortment of effects, instruments, and loops, including the modern Amp Designer and Pedalboard plug-ins. Use MainStage 2 to complete live using the instruments, amps, effects, and sounds you used to create your tracks. Logic Studio also is sold with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and much more.
New Pedalboard by having an assortment of 30 virtual stompbox pedals inspired through the classics.
Everything musicians ought to write, record, produce, and perform using a Mac
Logic Pro 9 for do-it-yourself musicians to create, edit, record, and mix their very own compositions
More than 80 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, plus more
20, 000 royalty-free Apple Loops from all of the Jam Pack collections
MainStage 2 for performing live with all the instruments, amps, effects, and sounds from Logic Pro 9
Soundtrack Pro 3, a streamlined audio post-production application for film and video
Complete your music studio which has a Mac Pro workstation and a couple of 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you making your music anywhere.
Offering solutions for businesses of the size, AppleCare provides ongoing product coverage, like the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your exposure to Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct entry to Apple s professional support staff. For more information, visit /support/products.
Shipping Weight: 1.7 pounds
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Date first sold at : July 23, 2009
Product Warranty: For warranty information regarding this product, please simply click here
I use make use of Logic Pro back from the day of Atari Falcon and STE1080. i quickly went to PC and used Logic 4.7. Though i never used the audio from it back then due for the instability on the product. It was easier make use of a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i became using Ableton Live versions 5, 6, 7 and after this 8. The reason i bring this up is always that i am now to Logic Studio Pro using a MacPro 8 Core. The major reason just for this change returning to Logic was for 3 major causes that blow away Ableton 8:
The additional features of Logic Studio 9 may be the Flex and Guitar suite. Though i haven't been impressed while using flex perhaps because i will be not sure how to work with it correctly the Guitar suite is AMAZING. I have owned a Line 6 pro as well as a Line 6 bass pro which Guitar Suite is amazing should you run it under 96k.
The Logic Pedal board has a fantastic slew of guitar stomp pedals that sound amazing and then other emulations we have heard. the distortions are warm and tube like, unlike more software emulations we've heard. it rips ideal even using a guitar straight into your A/D and processed by Logic. They possess a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe also it sounds sweet and mixes perfectly.
The automation features are tight and crisp likewise. Though it takes a tad more time for getting setup on Logic for controller setup then Ableton, it's tight as soon as you get it there. Read more
Thank you for the feedback.After over several years struggling with previous setup PC, Windows, Cubase, MOTU 2408, Tascam DM-24, spending long spaces of time just setting everything up over, as well as over, as well as over, I decided that it was time to consider the plunge and go 100% mac. I couldnt be happier. MacPro, Euphonix, Logic Studio, MOTU 2408, Tascam DM-24 works so well together.
Logic as a credit application is extremely intuitive and moving from Cubase there remains to be a lot to find out, you'll find so many features.
The best a part of it all is the fact i can finally focus about the music.
If youre considering it, go for this. its worth the cost.
Thank you for the feedback.Im still a novice music maker, although I sold some compositions. I have given a chance to every single single software available the famous ones, at the least including Cubase, Pro Tools, etc.
Using a whole new Macbook, Logic Studio 9 is, without having a doubt, probably the most user-friendly and powerful music-making software around.
Unlike other programs, almost whatever you think about doing is built-in for being used intuitively within the program. Much like all Apples programs, that which you use one of the most you have immediately available. Keyboard shortcuts are available for the many common tasks, and this system is extremely fast.
The users manual is straightforward enough, yet covers an amazing lot of ground.
Im not having a midi keyboard, but I do record my beginners guitar on Logic, as well as the result is always amazing. There are lots of plug-ins as well as a variety of instruments, no ought to purchase anything else to create great music that sounds and it is professional.
The addition of guitar chords for the Score is genius - I cant thank Apple enough for not ignoring our requests. Also, the revolutionary feature that lets you build your individual amp is I spend lots of hours with; you be able to have 1, 000s of mix-and-matchs you is capable of doing, just a couple of clicks away.
Get this method and youll never look elsewhere.
Thank you for ones feedback.Logic can be a vast application. The product details at Amazon and Apple only cover the symptoms details with the biggest and newest features. It can take weeks to learn all in the features and plugins, significantly less learn them. Fortunately, Logic just isn't just a variety of parts but a well-integrated whole. MIDI and audio might be manipulated seamlessly. Logic instruments, GarageBand instruments and other Audio Units all integrate effortlessly in to the logic system. You even receive a separate multitrack audio editing application - SoundTrack.
If you might be creating music over a Macintosh, Logic may be worth a very close look.
Thank you to your feedback.Its the goods, great price just for this expensive, great software. AAA
good, but this costs are ridicolous
Great product for audio edit.
I originally ordered this as a part of the Audio Production curriculum taught at Full Sail University, but due towards the lack of hundreds grand, I finished up learning it in my Read more
All music within this extremely witty and lyrical play was composed using logic pro. Have a listen therefore you will understand the volume of quality you are able to achieve Read more
Published on December 12, 2013 by Humble Reviews
Reviewer Mark with Unworkable Since Mountain Lion, April 2, 2013 - - Your experience, and also the others you mention, is my main cause of not upgrading OS X to Lion or Read more
Published on July 4, 2013 by J. Gaulke
I have experienced an up-to-date version of Logic since Lion, and that it was a good program. However, there happen to be extreme variety of users having a similar issue in Logic on OS X 10. Read more
Published on April 2, 2013 by Mark
I initially loved this system. I recorded my first album with Logic and was generally happy using the purchase. The only snag was I lost Read more
Published on August 22, 2012 by Amazon Customer
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This VTC course will give you students which has a thorough information about Logic Pro 8s design, components and capabilities. The use from the included assets Loop Browser, Soft Synths, UltraBeat, Sampler, etc may also be covered. All material is covered within a manner that can benefit their beginner along with the advanced user. Work Files are included. To begin learning Apple Logic Pro 8, simply click one with the movie links.
This VTC course provides students using a thorough expertise in Logic Pro 8s design, components and capabilities. The use in the included assets Loop Browser, Soft Synths, UltraBeat, Sampler, etc will also be covered. All material is covered in a very manner that can benefit their beginner plus the advanced user. Work Files are included. To begin learning Apple Logic Pro 8, select one on the movie links.
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